from the Bay Area Figurative Movement; Artist note: "Toni could adopt any guise. As you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. She could be young, middle-aged or timeless, she could evoke a classical goddess, an African queen, a con- temporary urbanite, a peasant maid."

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land's End 2006 no. 6 - Oil On Canvas By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End. Presented by epoca ph. (415) 864-6895. 

from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water.  What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emitted beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.

Alamo Square 2014 - Oil On Canvas By William Stanisich, San Francisco; Signed And Framed Dated 2014 presented by epoca. “Its paths cling to the sides of steep hills. The views are spectacular and after the 1906 earthquake, it was here the surrounding neighborhood set up a tent city to take refuge”.

the rectangular sandalwood box veneered in water buffalo horn with sloping top centering a lotus flower form finial; all raised on turned horn feet;  warpage to lid; lacking key

Each custom bead-embellished silk pillow with gold braid and fringe; the silk reverse panel with braid detail; designed and made by Morrison & Company (metal label attached) originally sold through Baker, Knapp & Tubbs; two square and one rectangular; the rectangular pillow with water stain to reverse panel; overall good condition with beads intact 

from Vizagapatam, the rectangular sandalwood box veneered in water buffalo horn with sloping top centering a lotus flower form finial; all raised on compressed spheroid horn feet; horn of a mellow green color; good antique; lacking key

Susan's energetic, colorful abstract contemporary paintings are based on her study of nature - from flowing water to rolling meadows; her use of thick brush strokes while adding and removing material creates a vivid collage of color and movement; within a thick birchwood frame; signature to lower left and on the reverse; label on reverse; good condition with no visible defects to canvas; minor wear to wooden frame

of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

beautifully crafted vase by master wood turning artist, Larry Witt. Witt is a Southwest artist whose works appear in many galleries, and is collected worldwide. He composes his pieces using many different species of wood. Using no dyes or stains, Witt's pieces are defined by their natural coloration. Signed "Witt 95-186" as well as markings for the types of wood used (Bloodwood, Maple and Walnut); an exceptional artisan bowl; in good vintage condition with no missing elements; 

one of the prettiest pairs of chinese lamps that we have had in our inventory; each of slender baluster form adorned with gilt meandering floral vines; raised on a turned giltwood base; excellent condition with minor even wear; rewired

incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks