Signed lower left; Paul Immel was born in Helena, Montana in 1864. Immel studied at the Ball School of Art in Minneapolis and in 1924 moved to Los Angeles where he further studied at Otis Art Institute, later moving to Seattle, Washington. Immel is known for his watercolor floral studies and was a member of the Puget Sound Group of Northwest Painters and the Northwest Watercolor Society; excellent condition with nice clear colors; some wear to blonde-stained wooden frame

each well-rendered painting depicting mounds of cherries and raspberries in bowls on a black ground; in period gilded frames; newer mattes and gilt fillets; vibrant and clear colors; rubbing and patina to gilding

the circular top with demi-bullnose edge all in a richly-colored book-match burl walnut veneer with a satinwood and ebony inlaid perimater band; raised on a turned baluster support with lappet carving the whole raised on burl wood cabriole supports; professionally refinished with overall even wear and rich patina

each cube-form chair with 'floating' backrest above a tubular chromed steel base; newly upholstered in a butter-yellow velvet with foam wrapped down cushion and seat; minor wear to chrome; Milo Baughman (American, 1923–2003) was a furniture designer who was born in Goodland, KS. After studying at the Art Center School of Los Angeles and the Chouinard Art Institute, he joined Frank Brothers as a custom furniture designer. In 1947, Baughman established Milo Baughman Design, Inc.

the serene tonal painting with its limited palette and harmonizing colors depicting an impressionistic, hilly wintry scene; excellent condition; new giltwood frame and fillet; Robb Beebe began his art training in 1910 at the Cleveland School of Art. Post-university studies led Beebe to the Art Institute of Chicago. In 1913, he began using the name Robb Beebe with its unusual spelling. In the 1930's, Beebe worked as an illustrator for the pulp magazine, All Story Love Tales while contributing to Women's World, Collier's and McCalls.

from the collection of a notable Napa interior designer for his hacienda in La Peñita de Jaltemba, Mexico

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

surmounted by a plumed crest; refreshed gilding and later aged mirror plate

each with square top above a square pedestal with inset reserves; chipping and overall weathered patina

each with round beveled central plate within a scalloped mirrored frame of reverse-etched panels; label to back 'Uttermost';  good vintage condition with no chips or cracks; light wear to frame

an english 19th century chromolithograph; a well-rendered picture depicting a hand-colored pineapple; ; minor discoloration; later acid-free matte and gilt-wood frame.

the abstract expressionist drawing of a graceful ballerina dancing to Swan Lake in a deep bow; excellent vintage condition with only minor discoloration to paper; new acid-free matte; later cerused oak frame; with illegible signature

each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface

the well-figured marble top resting on an iron tripod frame with rope-twist perimeter ring surrounded by 3 splayed supports ending in hoof feet; joined by a shaped stretcher; excellent condition with minor wear and patina

unusually large with a scavo (acid) finish in a golden hue; acid etched signature to underside with original label

with a large foliate spray crest above an openwork frame consisting of floral and foliate vines, C-scrolls and acanthus leaves; shipping import label on reverse for Antonio's Antiques, San Francisco; good antique condition with overall even rubbing; later mirror plate

The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame

each of urn form having an everted rim above a cylindrical body above a bulbous mid-section all above a splayed foot; raised on fluted giltwood bases; made of a striated teal glass adorned with a gilt painted perimeter band of anthemia and palm leaves with additional banding below; water-gilded caps and bases; professionally rewired; some rubbing to gilded bases and decoration; some bubbling to interior surface of urns

well-carved giltwood wall mirror with a pagoda-form pediment above an open-work carved foliate frame; excellent antique condition with overall even rubbing to water-gilded surface; later mirror plate

Surmounted by a robust acanthus leaf crest above a shaped carved giltwood frame fitted with mirrored panels; adorned overall with cascading floral and foliate vines; nice overall patina and rubbing to gilding; some missing elements; antiquing to original plate

the thick and robust beechwood frame with silver-gilt accents surrounding the original antiqued mirror plate; excellent antique condition with well-patinated mirror plate

each well-rendered artist's study depicting grasping hands and a foreshortened foot; very nicely detailed; unsigned; excellent condition with minor discoloration to paper; new deep brown lacquered wooden frames and fillets with acid-free matting