each custom made chair by Lx Rossi with in-curved sloping back cascading down to outscrolled terminals; flanked by a bowed loose cushion over a plain frieze apron all resting on tapering turned supports; the frame veneered in a taupe-colored shagreen; excellent condition; newly upholstered

of warmly patinated cherrywood, the circular top above a deep apron fitted with a single drawer; all raised on turned supports joined by a shaped x-form stretcher; excellent antique condition; professionally polished

each neoclassical open armchair with beaded framed oval back above a bowed tight seat over a beaded apron flanked by scrolled arms and uprights with acanthus carving; raised on reeded and fluted supports with acanthus collar and ending in a spheroid foot; wear and patina to refreshed painted surface; sturdy frame and good antique condition with new upholstery

each of good proportion the ribbon crest above an oval caned back over a serpentine caned seat flanked by open arms; all raised on turned fluted supports ending in toupie feet; good restored condition with professionally restored finish with newly upholstered loose cushions; cane in overall good condition; caned seats replaced 

the gadroon lip above a cup-shaped bowl adorned with 4 masks joined by plump garland festoons all raised on a splayed base; minor wear; hairline crack to base.

 the round top with quarter edge molding above a shallow apron all raised on shapely cabriole supports; profusely decorated overall with polychrome and gilt flowers and foliage in the traditional manner; some infill to top; good antique condition with minor wear and chips; legs re-glued

with pinched spout above a portly body with squared handle; all in a controlled dolomit glaze over brown in a striped pattern; signed 'Ceramano Hand Albeit' to underside; excellent vintage condition with minor surface rubbing.

of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery; 

one of the best examples of a spoon back chair with its tall incurved back with an inlaid stylized floral and foliate motif;  the down-swept arms above a box seat raised on console legs with carved volutes and lotus leaves at the knee; professionally restored with new black boar-skin upholstery

the scrolled openwork back with craved green man mask flanked by lively floral and foliate scrollwork above a classical flaming urn flanked by serpent handles; good restored condition with re-glued and refinished frame; refreshed leather seat

good quality reproduction with framed cartouche-form back above a loose cushion seat flanked by scrolled padded arms; above a shapely apron all raised on cabriole supports; good vintage condition with strengthened frame and new upholstery

each with arbalète-form crest above an incurved upholstered back over a loose cushion seat; flanked by upholstered arms all raised on gadrooned uprights and legs; professionally reupholstered and refinished; good overall condition

nice collection of vintage Royal Haeger pottery vessels; marked 'Royal Haeger, USA' to underside; good vintage condition with overall minor wear, minor chipping to lower edge; some craquelure to glaze

the stylized carved wooden rosette centering a circular reserve surrounded by a wreath of scrolled acanthus leaves all in a warmly patinated painted and gilded surface; good antique condition with overall even wear and patina

of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired

the well-carved Corinthian capital with faux marble top adorned overall with outscrolled acanthus leaves below scrolling volutes; all raised on a later square wooden plinth; remnants of label from Tony Duquette Collections sale, Christie's Auction House, Los Angeles, 2001, image can be seen in the book "Tony Duquette" by Wendy Goodman and Hutton Wilkinson, pg. 216; good solid condition with overall wear and patina; some shrinkage

consisting of four graduated rectangular tables raised on double-baluster supports over scrolled feet; each table top decorated with fine gilt decoration featuring a five-clawed imperial dragon, bamboo plants, flower bouquets and various insects; Provenance: Property from the estate of Patricia Moffat Pope, San Francisco, CA; good antique condition; wear consistent with age and use; minor losses and rubbing to surface

a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired

with goose neck pediment above a glazed cabinet resting on a base fitted with a single drawer over two doors; nicely decorated overall with various scenes; areas of refreshed gilding and paint; good antique condition 

the open cartouche-shaped back with elaborately carved vasiform splat profusely carved with rocaille, C-scrolls and floral motifs above a drop-in seat with mohair upholstery; flanked by supported S-scrolled arms with lively floral carving; the seat rail with carved fretwork design; all raised on similarly carved cabriole legs ending in a trifid pad foot; finish professionally refreshed; new mohair upholstery; good antique condition with even wear and patina

a fantastic example of Gothic revival furniture, the robust pair of ebonized Gothic style arm chairs with padded back with openwork pointed arch crest flanked by turned stiles; above a tight seat flanked by padded arms with over-scaled spheroid terminals; all raised on turned supports ending in wooden casters; finish professionally refreshed; wear to casters; good antique condition; newly upholstered

with incurved caned back centering an inlaid crest above sloping arms with brass terminals over a caned seat fitted with a loose cushion all raised on reeded supports ending in brass feet; good antique condition with minor wear and surface indentations; patina to brass; refreshed surface; new seat cushion

each of elegant shape with cartouche-shaped back above a serpentine seat flanked by scrolled arms; all raised on cabriole supports; with custom down-filled cushions; good sturdy condition with overall minor wear and rich patina; refreshed surface; caning intact 

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced