this handsome bench features a long rectangular upholstered seat; raised on four barley twist supports with square block joints ending in compressed bun feet; all connected by a turned cross stretcher of similar style; beautiful deep patina with overall even wear; good antique condition with restored finish; later upholstery
beautifully crafted vase by master wood turning artist, Larry Witt. Witt is a Southwest artist whose works appear in many galleries, and is collected worldwide. He composes his pieces using many different species of wood. Using no dyes or stains, Witt's pieces are defined by their natural coloration. Signed "Witt 95-186" as well as markings for the types of wood used (Bloodwood, Maple and Walnut); an exceptional artisan bowl; in good vintage condition with no missing elements;
Consisting of a round glass top table and four armchairs with openwork metal strap-work manufactured by the iconic outdoor furniture manufacturer Brown Jordan; Brown Jordan, a manufacturer of high-end outdoor furniture, was founded in Pasadena, California, in 1945 by Robert Brown and Hubert Jordan. The company is known for pioneering the concept of furniture specifically designed for outdoor use, transforming the patio into a stylish and functional living space; structurally sound with sturdy frames; original brown powder-coated surface with even wear and weathering; Sunbrella cushions in
the serene tonal painting with its limited palette and harmonizing colors depicting an impressionistic, hilly wintry scene; excellent condition; new giltwood frame and fillet; Robb Beebe began his art training in 1910 at the Cleveland School of Art. Post-university studies led Beebe to the Art Institute of Chicago. In 1913, he began using the name Robb Beebe with its unusual spelling. In the 1930's, Beebe worked as an illustrator for the pulp magazine, All Story Love Tales while contributing to Women's World, Collier's and McCalls.
from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento
from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.
Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento
incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
Moya Aiken
the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing.
this signed special edition art glass bowl is one of Blenko's yearly designer series offerings for 2001; the large handblown circular bowl with wide rim in a rich cerulean blue glass resting on a chamfered amber-colored foot; with acid etched signature to underside 'Richard Blenko 2001'; with maker's label 'Blenko Handcraft'; excellent condition with no chips or cracks
the large sturdy hand-carved table of pegged construction with shaped rectangular top of matchbook European walnut veneer above a scalloped apron with rocaille carving; all raised on bold cabriole supports ending in hoof feet; structurally sound; intentionally distressed finish to imitate age; minor overall wear and rubbing; professionally polished and waxed
the open cartouche-shaped back with elaborately carved vasiform splat profusely carved with rocaille, C-scrolls and floral motifs above a drop-in seat with mohair upholstery; flanked by supported S-scrolled arms with lively floral carving; the seat rail with carved fretwork design; all raised on similarly carved cabriole legs ending in a trifid pad foot; finish professionally refreshed; new mohair upholstery; good antique condition with even wear and patina
a large and handsome hand-crafted antique American half-hull wooden boat builder's model of a sloop with fin keel and spade rudder all constructed of laminated mahogany in a warm honey-toned patina; mounted on the original wooden frame fitted with two eye hooks; the half-hull models were used to commemorate the launching of a vessel
the large round mirror within a well-carved pale blue and silver-gilt frame capped with a shell motif over an openwork crest; all above an exuberantly carved frame with lively C-scrolls and acanthus leaves; purchased in 2022 from the estate of antique dealer Bartolomeo Rizzo, Palermo, Italy; good antique condition with some replacements, elements re-glued; professionally restored with refreshed surface; nice overall even wear and rubbing to surface; later plate
the intricately detailed toucan with its dramatic curved beak above a finely plumed body resting on a foliate branch; all in a colorful hand-painted and glazed finish; marked on underside with an underglaze green windmill indicating production dates 1919 - 1945; Karl Ens (the elder) began Triebner, Ens & Co. in 1860. In 1899, his son, also named Karl, founded his own company, Porzellanfabrik Karl Ens, in Volkstedt, Thuringia and quickly became known for producing high-quality porcelain, especially life-like animal figurines; good condition with no chips or cracks; only minimal wear
the expressive cockatoo with a prominent head crest and strong hooked beak perched upon a foliate branch-work base; with maker's marks to underside; Dux Porcelain began in 1860 by Eduard Eichler in what was then Duchov, Bohemia. The high quality pottery and porcelain figures produced there are now referred to by the abbreviated name, "Royal Dux." Ownership of the business changed frequently over the last 150 years. Bohemia became part of Czechoslovakia which was in turn controlled first by Germany then the Soviet Union.
Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.
Night Vision Series – watercolor on paper 2009-2010; a series of the night in urban San Francisco; Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night. William Stanisich born in 1947 in Cheyenne, Wyoming and raised in San Francisco, received his BA from Yale College (1969), attended courses at the San Francisco Art Institute (1964-5 and 1970), taught painting at the Urban School of San Francisco (1972-2001) and currently is a full-time painter here in San Francisco.
Land's End 2006 no. 6 - Oil On Canvas By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End. Presented by epoca ph. (415) 864-6895.
Milos 2006 no. 23, Watercolor On Paper by William Stanisich, San Francisco Presented by epoca, Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
Speed 2010 no. 8, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series. Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco. Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.
Night Vision Series – watercolor on paper 2009 - 2010; a series of the night in urban San Francisco; Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.
