the ochre marble top resting on a well-carved aqua painted base with ochre foliate scrolls; all supported on hoof feet; overall even wear and patination.
each diminutive chair with upright stiles flanking an openwork splat above a drop-in upholstered seat; raised on thick legs all joined by similar openwork panels; good vintage condition with some wear to surface; newly upholstered
the rectangular upholstered seat above a scalloped Moorish-style apron all raised on cabriole legs ending in a trifid foot; overall warm patina to surface; newly upholstered with sturdy frame
of contrasting woods with geometric designs on all sides; fitted with brass hardware; the interior fitted with a single drawer and burlwood shelf; each with 'Mastercraft' label; excellent vintage condition; professionally refinished
of large scale, with long everted neck above a spheroid body all resting on a custom giltwood base; good vintage condition with some wear to surface; rewired
each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired
the shaped top wit 2 zinc-lined compartments over a deep apron; raised on cabriole supports joined by a shaped stretcher; excellent restored condition
the inset square glass top within a gilt-iron frame adorned overall with a meandering floral and foliate vine; good vintage condition with overall wear and patina; some missing petals
with rolled lip adorned with egg-and-dart design above a a flared neck over a compressed body with lively acanthus leaf decoration; all raised on a splayed base and square plinth; overall even weathered finish to surface
with domed top and flared neck above a bulbous body over a splayed base; adorned overall with graceful gilt foliage; rewired; excellent condition with no chips or cracks; lamp shade as is.
each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.
a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
From the artist: "Old fishing boats have always fascinated me. Those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty."
Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento.
from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and i cannot pass one by without shooting a photograph as inspiration for a future painting. i seek to capture their essence, in a time less hurried, a calmness of spirit. i want to preserve their beauty.
michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento
michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento.
from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty.
Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento
from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento
from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.
the round beveled mirror within a pivoting steel frame raised on a rectilinear maplewood support; all over a steel base; good vintage condition with minor surface abrasions; minor loss of silver to original mirror with no chips or cracks; new brown felt on the reverse
each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer
