a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted

of stylized form standing erect with direct gaze above a large down-turned bill; minor wear; no chips or cracks.

of ribbed baluster form with splayed scalloped foot resting on a giltwood base; excellent condition; rewired

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

each with padded crest rail above an openwork back over a tight seat with a channeled apron; flanked by upright arm rests; professionally refinished and reupholstered

each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base

each clear glass cylinder adorned with applied bamboo branch work; excellent condition; rewired

each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired

each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface

of openwork pineapple form in a gray and subtle verdigris finish with flared top above a bulbous woven body raised on splayed feet; glass top not included; structurally sound with expected wear and patina to the iron surface from outdoor use

each of conical form in a deep cerulean blue opaline glass; with brass caps and bases; good vintage condition with no chips or cracks; 18.25" (top of glass)  29.25" (top of shade); some pitting to well-patinated brass; professionally rewired

mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface

each large well-rendered painting depicting Chinese vases finely detailed with colorful floral and foliate stems; professionally conserved and re-stretched on new frames; good clear and vibrant colors; excellent condition; newly framed 

each large-scaled curule bench with semi-detached seat flanked by flared openwork arms with turned double-baluster stretchers; all raised on down-scrolled supports ending in paw feet all joined by turned stretchers; good antique condition; professionally restored with refinished surface and new upholstery

this beautifully decorated lamp of ovoid form finely painted overall with large floral stems in rich shades of blue, green and ochre all on a mottled pale blue ground; with subtle gilt decoration; artist signed and dated 1950; excellent vintage condition with no chips or cracks, rewired; with custom giltwood base

each of campagna form with everted lip tapering to a compressed portly body all over a square plinth; adorned with ebonized highlights; 18.5" (top of wood)  29.5" (top of shade); professionally rewired; good vintage condition with minor wear and nice warm patina

the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition

of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders;  centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic)  35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired. 

each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases

each cube-form chair with 'floating' backrest above a tubular chromed steel base; newly upholstered in a butter-yellow velvet with foam wrapped down cushion and seat; minor wear to chrome; Milo Baughman (American, 1923–2003) was a furniture designer who was born in Goodland, KS. After studying at the Art Center School of Los Angeles and the Chouinard Art Institute, he joined Frank Brothers as a custom furniture designer. In 1947, Baughman established Milo Baughman Design, Inc.

the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired

each octagonal covered urn with large arching reserves adorned overall with floral and foliate stems; all raised on a giltwood base; excellent condition with some professional restorations; rewired

with slender flaring neck above an ovoid body; composed of various laminated wooden sections turned on a lathe

each large tapering vessel finely decorated with naturalistic paintings in enamel of parrots on flower laden branches with gilt accents; excellent condition with no chips or cracks; minor wear to gilt; now mounted as lamps