each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)

impressed with Rookwood flame mark; the well-detailed deep bowl depicting large overlapping cabbage leaves with flared undulating rim all tapering to a short foot; excellent condition with no chips or cracks; 
Rookwood has the distinction of being the first manufacturing company in the United States founded by a female, Maria Longworth Nichols (Cincinnati, OH, 1880)  The name was chosen because of the many rooks, also known as crows, on her father’s estate and added “wood” in recognition of Wedgwood

of classical krater form with an ovoid body flanked by upright handles all in a rich faux-burlwood amber-colored glaze; excellent vintage condition with minor overall wear; rewired

the striking ovoid vase tapering to the base; the textured finish in black and white glaze with vibrant red streaking around the body; minor wear

each well-executed plaque of impressive scale depicting a moody forest scene and a tranquil lake setting; all within custom ebonized moulded frames with giltwood slips; excellent antique condition with no chips or cracks to ceramic; minor professional repair to one frame

of impressive size, the lidded ginger jar with domed lid and tapering lobed body with underglaze blue decoration of vibrant flower heads with lappet collar and base; raised on a faux painted blue and white base; excellent condition; rewired

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired 

with everted neck above a compressed body covered overall in an iridescent multi-layered glaze of cobalt blue, greens and yellow; incised signature to underside; The Western version of Raku was developed in the 20th century by studio potters. Typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. The Western process can give a great variety and depth of colors and surface effects as seen with this pot; good vintage condition with no chips or cracks

of impressive size, the cased glass bowl with swirl decoration in brown, gold and copper on a butter-yellow ground; excellent condition

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip

each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired

a true statement piece of impressive scale with long flaring neck above a bulbous body covered in a deeply-colored olive green glaze; excellent vintage condition with minor wear

with everted lip above an ovoid body decorated overall with white lava glaze swags and perimeter rings over a richly-colored ochre glaze; raised on a faux good painted bases; excellent vintage condition with no chips or cracks; rewired

the large ovoid-shaped vessel with short neck above a tapering body; adorned with nine painted triangles all joined by crossing black stringing; excellent vintage condition with small repair to chip on foot

with pinched spout above a portly body with squared handle; all in a controlled dolomit glaze over brown in a striped pattern; signed 'Ceramano Hand Albeit' to underside; excellent vintage condition with minor surface rubbing.

each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels

one of the prettiest pairs of chinese lamps that we have had in our inventory; each of slender baluster form adorned with gilt meandering floral vines; raised on a turned giltwood base; excellent condition with minor even wear; rewired

the thick elongated bowl in colors from blue to aubergine all flanked by clear glass handles; no chips or cracks; some wear to underside.

each large anthemion with boldly scalloped edge; overall wear; great garden accessories

of large scale, the shimmering crystal vase with lobed mouth tapering to the base; with acid etched signature "Daum France" separated by the cross of Lorraine indicating early production pieces 1945-1950; excellent condition with no chips or cracks

the large desk with hand-tooled embossed leather writing surface above a paneled case finished with five drawers on front and back; the sides fitted with slide out writing areas with conforming leather tops; raised on shapely cabriole legs; excellent antique condition with professional repairs to include refreshed leather and refinished surface; areas of wear and patina to leather 

each with flaring neck above a bulbous body; the textured surface covered in a deeply colored blue and teal drip glaze; excellent condition with no chips or cracks; professionally rewired

with slender flaring neck above an ovoid body; composed of various laminated wooden sections turned on a lathe