overall with blue and white floral and foliate decoration on a yellow ground

the recumbent bull dog with expressive face and brown glass eyes; overall wear and chipping to glaze

each striking lamp of deep purple bullicante and gold aventurine glass with an iridescent surface; raised on a brass octagonal base; excellent vintage condition with no chips or cracks; rewired 

fitted with a telescoping adjustable neck above a wooden support resting on a tripartite brass base with stylized shell feet; good vintage condition with only minor wear; rewired

stylish living from the 1950's, the square table on down-turned legs; with graceful side chairs with open trellis-work seats over splayed supports; structurally sound and in good vintage condition

each modeled as stacked half-spheres on a brass circular base; minor overall wear to alabaster; some discoloration and patina to brass; rewired

each of refined minimal design with elegant lines; of iron construction with new ivory leather upholstery; good vintage condition with overall even wear and patina 

the tall slender ewer with pinched spout above an ovoid body with graceful looped handle; all in a luminous raku glaze with areas of teal showing through;  typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks

each with square mouth above a bulbous body all in a thick lava glaze with red glazed reserves; one with original label; excellent condition with no chips or cracks

the rectangular inset glass top within a gilt-iron frame with canted corners all raised on graceful cabriole supports; joined by an arching and interlacing stretcher; new glass; overall rubbing and wear to gilding; good sturdy frame

each with flared neck above a fluted cylindrical body adorned with finely detailed gilt-bronze grapevine swags; all raised on a giltwood base; stamped "Lampe A Moderateur Par Brevet D'Invention Et De Perfectionement"; excellent antique condition; rewired

each of colored satinato glass with domed lids above a cylindrical body over a splayed foot; good vintage condition with one minor chip to green jar lip

each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside; minor overall surface wear

signed on bottom 'Giovanni Mollica'; in 1842, Giovanni founded his ceramic workshop in Naples, Italy. His sons Ciro, Achille and Alexander took over the family business,  continuing it until the end of the 19th century; excellent condition with only minor overall wear to surface; a truly spectacular piece

of impressive size, the lidded ginger jar with domed lid and tapering lobed body with underglaze blue decoration of vibrant flower heads with lappet collar and base; raised on a faux painted blue and white base; excellent condition; rewired

each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

with revived interest in the arts and design of the Renaissance period of the 14th-16th centuries; signed to underside 'AS' for Alfredo Santarelli (Italian 1874-1957) Majolica lustre-glazed urn with serpent handles; professional repair to lip

This expressive, forcefully-rendered horse head sculpture with flared nostrils and lively mane; raised on a separate base; fine overall craquelure; with minor chips and flakes 

a fine example from the Leeds factory Burmantofts faïence, with pierced neck and shoulder and adorned overall with incised decoration; excellent antique condition with overall minor wear consistent with age; stamped to underside 'Burmantofts Faience, 504 EAS', examples of Burmantofts faience can be found in the Victoria & Albert Museum Ceramic collection

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

each boldly-scaled lamp with flared top above a cup-shaped body adorned with a guilloche perimeter band and bell-flower swags surrounding half-profile portraits; resting on a splayed circular base over a black marble plinth; wear and patina to surface; indentations; rewired

mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface