With glass baluster support all above a gilt metal bowl fitted with a 5-light cluster; all adorned with graceful meandering crystal floral and foliage vines; excellent vintage condition with minor wear commensurate with age; rewired

The Marbro Lamp Company was established by Morris Markoff and his brother (Mar-bro) after World War II in the garment district of Los Angeles. While specializing in a wide selection of antiques and decorative accessories, they are best known for their high quality lamps. Lamp parts were sourced from all over the world, but always assembled in their LA shop; this fine example of a thickly modeled faceted crystal lamp with gilt-metal mounts; no chips or cracks; rewired

the well-figured round top of book-matched pie slice veneer within a rosewood perimeter band; all raised on three gracefully splayed legs with ebonized tips; excellent vintage condition with refinished surface 

a handsome and richly-patinated english george ii style walnut tray with pie-crust molding; good condition

the gilt-metal frame emanating 6 scrolling arms; adorned overall with 3 crystal obelisks and multiple pendants; excellent condition

the long shaft of stacked glass orbs above a spheroid body emanating 6 scrolled arms; of white striated glass with gold inclusions; excellent condition with no chips or cracks; can be shortened.

centering a baluster-form support emanating 12 horizontal arms over a cup-shaped bowl; all in a deep, amber-colored glass; excellent condition with no flaws

the muscular kneeling figure with arm outstretched; the whole resting on a shaped marble plinth; nice warm patina; some wear to marble

the large hollowed-out burl root with outwardly twisting arms; overall wear and patina, professionally polished; one tip replaced

the ribbed baluster support above a shallow bowl emanating 6 scrolled arms with flared bobeches

the baluster support surrounded by 8 deeply scrolled arms joining a bowl with faceted pendant; excellent condition; rewired

the central cluster column support emanating 6 scrolled arms supporting upright torches; adorned overall with brass strapwork and spheres; overall even patination

centering a baluster-form support above a glass bowl emanating 6 scrolled candle-arms with deep cups surrounding lively flower and leaf inserts; composed of gold aventurine and clear glass; good vintage condition with some replaced stems

the baluster support above a cup-shaped bowl with pendant knob; all emanating 6 scrolled arms interspersed with downswept tendrils; excellent condition; rewired

good sturdy construction with overall even wear; webbing is tight but discolored and with weathered surface; chips to powder-coated finish

the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside

the shaped back board joining a square hinged lid over a conforming tapering body with inlaid fork and knife on the front; age to leather hinge; minor wear overall.

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

the cartouche mirror plate within a conforming giltwood frame with floral crest above an openwork frame of acanthus and rocaille carving all flanked by the mythical Ho Ho bird with one bird upright and the other downward; the Ho Ho bird was originally seen in Asian artwork and symbolizes good fortune and longevity; overall even wear and patina to re-gilded surface; later plate

The slatted openwork seat flanked by incurved armrests  above a curule form base with scrolling elements; raw iron finish with overall even wear and patina

the baluster support emanating 6 scrolled glass arms below glass candle-cups; excellent vintage condition with no breaks; rewired with new resin candle sleeves

the central sphere emanating flaring arms terminating in stylized floral heads; with attached stem that can be reduced in length; excellent vintage condition with overall light wear; rewired