well-carved giltwood wall mirror with a pagoda-form pediment above an open-work carved foliate frame; excellent antique condition with overall even rubbing to water-gilded surface; later mirror plate

the exuberantly carved pagoda crest surrounded by lively acanthus leaves, c-scrolls and grotto motifs cascading down to an openwork frame; wear and rubbing to gilding; with professional repairs; refreshed gilding; some age to later plate

of campaign style, each with semi-attached leather cushion above a wooden frame with faux bamboo perimeter border fitted with brass mounts; excellent vintage condition with new upholstery; nice patina to wood with some pitting to brass mounts

with vasi-form top above a four-sided open frame topped with spiraling finials resting on twisted supports ending in similar spiraling pendants all joined by an openwork trefoil perimeter border; all surrounding a later 4-light cluster; good antique condition with overall even wear and patina; rewired

each large chair with framed winged back above a loose cushion seat flanked by padded arm rests; raised on reeded and fluted supports; excellent restored condition with new cotton ticking upholstery 

the thick oval-shaped glass top within a brass frame with similar brass perimeter band below; raised on tapering cylindrical supports with urn-form caps and acorn finials; all joined by a graceful in-curved iron stretcher centering a larger acorn finial; professionally polished and strengthened; some overall rubbing to metal and glass 

each with incurved upholstered back above a loose cushion seat flanked by squared arms over a u-shaped frame with inlaid marquetry; excellent restored condition with new boar skin upholstery

each large opposing panel depicting mythological characters of Europa and Zeus; Zeus is enamored by Europa and transforms himself into a bull then mixes in with her father's herd, as Europa is out gathering flowers she sees the bull, caresses his flanks and eventually climbs onto his back, Zeus soars off taking Europa to Crete making her queen; each reinforced with iron framing to back; repairs wear to surface.

the round mirror plate withing a well-carved giltwood frame depicting overlapping laurel leaves with berries; all in a silver-gilt finish with gold highlights; excellent vintage condition; professionally gilded finish; overall even wear and patina

each with framed cartouche-shaped backs above a generous serpentine seat flanked by padded arms; above a scalloped apron all raised on graceful cabriole supports; excellent restored condition with new upholstery

each of whimsical butterfly form and labeled 'farfalla' having chromed steel frames encircled by six lights and issuing curved arms ending in circular discs; good vintage condition; professionally cleaned and rewired

a rococo style mirror with a modern twist; the oval plate within a gilt-metal frame consisting of lively C-scrolls and foliate sprays; excellent vintage condition with overall even wear to newly gilded surface

in the neoclassical taste, the boldly-scaled solid brass crest centering a robust shell motif flanked by lively scrolls and foliate decoration all surrounding a beveled mirror plate; above a stepped frame fitted with a beveled mirror; excellent vintage condition with minor wear to brass

The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame

the original hand-beveled cartouche-shaped mirror plate within a conforming giltwood frame surmounted by a bold Ho Ho bird; the whole adorned with elaborately stylized rocaille carving and scroll motifs; the Ho Ho bird was originally seen in asian artwork and symbolizes good fortune and longevity; even patina and rubbing to newly water-gilded surface; some antiquing to plate

this extremely comfortable and stylish mid-century sofa with beechwood frame with splayed openwork ends and raised on tapering supports; fabric in good condition with minimal wear and minor fading; excellent vintage condition with wear and patina to wood

the boldly-carved rope-twist oval frame embellished with acanthus leaves all surrounding a later beveled mirror plate; overall even wear and patina to refreshed gilding; antiquing to plate; some shrinkage to wood

the scrolled openwork back with craved green man mask flanked by lively floral and foliate scrollwork above a classical flaming urn flanked by serpent handles; good restored condition with re-glued and refinished frame; refreshed leather seat

the inset rectangular glass top within a gilt-metal frame; raised on dramatically splayed supports ending in short graduated quadrangular feet all joined by a lower inset glass shelf; good vintage condition with solid construction; overall even wear and patina to gilded surface; minor surface abrasions to glass

surmounted by a bold foliate crest above an openwork floral basket over a reticulated frame of cascading floral vines, lively acanthus leaves, rocaille and C-scrolls; good antique condition with refreshed gilding; overall even wear and patina, later mirror plate; some elements re-glued

the inset leather top within a a stepped molded frame above an apron fitted with 5 drawers with oak secondary wood; the side panels centering carved floral clusters; the finished paneled back allows the desk to be floated; all raised on reeded bulbous supports ending in wooden casters; good restored condition with refinished surface; leather with nice rich patina

great Italian design, the oval mirror having scrolled gilt metal frame, over a wall-mounted demilune console table with glass top above a scrollwork base; excellent vintage condition with overall even wear to gilding

the rectangular carved frame in the neoclassical style of overlapping laurel leaves and berries tied with ribbons all highlighted with acanthus leaves at the corners; refreshed paint and gilding; nice overall even wear and patina; age to original antique plate

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced

the inset glass top withing a bronze frame raised on cylindrical faux-marble metal supports ending in claw-and-ball feet all joined by an upper perimeter stretcher and lower x-form stretcher; good vintage condition with minor even wear and patina; new glass plate; with 'Made in Spain' metal tag