each oblong ceramic lamp with rich blue and burnt sienna drip glaze; excellent vintage condition with overall minor wear; re-wired 

each striking lamp with coffered surface all in a matte white glaze; resting on a brass base; excellent vintage condition with no chips or cracks; minor surface wear; rewired

the tall back with dramatic arching crest above a serpentine seat flanked by padded arms all above a scalloped apron raised on cabriole supports; excellent restored condition.

the gray marble top resting on an open iron-work base with 8 over-scaled double c-scrolled supports adorned with bold gilt-tole leaves; excellent condition; later top

the rectangular giltwood outer frame surrounding mirrored panels with reverse-etched decoration of floral and foliate vines; all bordering a giltwood slip surrounding the original beveled plate; rubbing and patina to re-gilded surface; overall abrasions and antiquing to original mercury mirror plates; no cracks or chips

each lobed orb of well patinated verdigris bronze resting on later stepped, brown stained bases; weathering to surface.

the sloped lid resting on a bombe-form body all raised on gilt-bronze paw feet; minor surface wear and chipping; patination to metal

each column of Italian Carrara marble with raised perimeter band all over a stepped base adorned with gilt metal capitals and brass fittings at the base; good vintage condition with some chipping at the base; patina to marble and metal surfaces; rewired

each tapering square-form lamp supported on gilt-metal mounts capped with ibex heads and terminating in hoof feet; all over an ebonized wooden base; good vintage condition with nno chips or cracks; some pitting to metal surface; professionally rewired

each painted canister adorned overall with painted figures amid a gilded and painted landscape; resting on later ebonized turned wooden bases; overall good antique condition with wear and patination to surface; rewired 

each of demilune form surmounted by a conical-shaped top with imbricated carving; raised on a tapering fluted shaft with waisted collar; patination to surface. Made be electrified.

each substantial baluster-form lamp of carved travertine resting on iron bases; from the Collection of Craig Wright, Los Angeles; small areas of infill; professional repair to one lamp base; professionally rewired

each painted with Chinoiserie decoration beneath a cased-glass surface giving them a beautiful luminescent quality; on reticulated ebonized bases; excellent vintage condition with no chips or cracks; rewired 

each with flaring neck above a tapering body resting on a gilt-metal base; all in a soft translucent frosted glass highlighted with gilt perimeter bands; minor wear to gilding; excellent vintage condition with no chips or cracks; rewired; newly gilded bases

the cup-shaped bowl raised on a flared foot; with a hand-painted band of floral stems and fruit with gilt highlights

each carved wood and parcel-gilt corbel adorned overall with lively foliate scrolls;  fitted with striking polychromed majolica masks depicting Bacchus, the Roman god of agriculture, wine and fertility; one blue-eyed, the other brown-eyed; wear and chips to ceramic; overall wear and patina to gilding 

the large urn with banded oak leaf lip above egg-and-dart ring; the waisted body with swirled fluted decoration flanked by whimsical masked handles; all raised on a separate iron splayed socle; overall even wear

the oval mahogany tray with raised gallery of alternating wood all flanked by brass handles; centering a large shell medallion surrounded by lively floral and foliate vines; good antique condition with overall even wear

of faceted translucent white opaline glass, each with long neck above a waisted mid-section over a bell-shaped base; no chips or cracks; rewired; patination to brass fittings; new shades as is.

the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering 

each signed and hand-thrown jar-form pot decorated with abstract foliate fronds; all glazed in earth tone colors of russet, brown and ochre; excellent vintage condition with no chips or cracks; rewired; Eric Norstad (1924-2013) was an American potter and architect who worked primarily on the west coast of the United States.

the splayed campagna urn filled with a luxuriant display of plump fruit and robust flower heads; chipping and weathered surface.

well-executed solid bronze sculpture of young boys on a seesaw;  all resting on a solid onyx base; Curtis Jere was a metalwork company of wall sculptures and household accessories founded in 1963. Elle Decor referred to the works of Jere as 'vintage chic' in a 2010 article by Mitchell Owens; nice patina to bronze; minor chipping to edges of onyx base

the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.

of bulbous form with gilt and black harlequin design over an ebonized plinth