the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition

each with goose neck pediment above a glazed cabinet resting on a base fitted with a single drawer over two doors; nicely decorated overall with various scenes; areas of refreshed gilding and paint; good antique condition 

From the artist: "Old fishing boats have always fascinated me. Those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty."

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento. 

From the artist: Old fishing boats have always fascinated me. Those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento. 

from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and i cannot pass one by without shooting a photograph as inspiration for a future painting. i seek to capture their essence, in a time less hurried, a calmness of spirit. i want to preserve their beauty.

michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento

from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and i cannot pass one by without shooting a photograph as inspiration for a future painting. i seek to capture their essence, in a time less hurried, a calmness of spirit. i want to preserve their beauty.

michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento. 

from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

a good example of mid-century abstract expressionism, also known as the New York School, with its expressive and colorful palette creating a contemplative mood; signed 'R. Gumpert' ; good condition and professionally cleaned; with original gray cerused wooden frame

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

a good example of abstract expressionism with its bold, thickly applied paint in the impasto style with great depth of color; good vintage condition; all in an ebonized wooden frame; remnants of gallery and framing company labels on reverse; signed lower right

from the Bay Area Figurative Movement; Artist note: "Toni could adopt any guise. As you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. She could be young, middle-aged or timeless, she could evoke a classical goddess, an African queen, a con- temporary urbanite, a peasant maid."

F. Baldi (Italian 1st-half 20th century) was active/lived in Italy and is known for his coastal paintings; each sun-filled coastal scene painted in heavy impressionistic brush strokes; each with custom giltwood frames with olive-green velvet mattes; each signed 'F. Baldi'; good condition with clean surfaces and clear colors; some rubbing to gilding

with its thick and bold brush strokes creating a textured surface depicting the artist's emotional energy; signed and dated on verso by Salt Lake City artist 'Ann Gallagher 1972 SLC'; good overall condition with clean surface; wear to ebonized wooden frame

each with upholstered saddle seat above a plain frieze over a curule-form base adorned with lappet carving on the legs ending in in-scrolled feet all joined a turned stretcher; good antique condition with some old indentations to surface; refinished and reupholstered

The curule form is inspired by furniture from Roman Antiquity relating to the authority of the senior magistrates who were entitled to sit in the sella curulis, an x-form chair that most often could be folded.

a robust american 1960's baluster-form cork lamp with ebonized base and cap; rewired; shade as is

with arbalette crest above two doors over a bombe-form base fitted with four drawers all over splayed feet; excellent restored condition

each bottle-form lamp with long flaring neck above a bulbous body all resting on a giltwood base; even wear and rubbing to gilded surface; glass in good condition with no chips or cracks; professionally rewired 

of large size and unusual shape with geometric Moorish design; handcrafted Khatam wooden box with delicate micro-mosaic marquetry of precious wood and mother of pearl;  perfect for a dressing or jewelry box; excellent condition

this large and elegant lamp with flared neck above a tapering body highlighted with gilt perimeter bands; resting on a reticulated brass base; excellent vintage condition with minor overall even wear; rewired

one of the largest and best quality Canterbury's made, fitted with three adjustable serpentine dividers on a rectangular base with applied moldings and lion ring handles; the columnar rounded corners continuing to tapering legs on brass casters; excellent antique condition; attributed to Gillows of Lancaster and London (1730-1840)

the well-carved reticulated frame with exuberant floral basket crest; the openwork frame with mirrored reserves adorned with lively c-scrolls, rocaille and meandering foliate vines;  overall excellent antique condition with even wear and patina to giltwood surface; later mirror plate