each oblong ceramic lamp with rich blue and burnt sienna drip glaze; excellent vintage condition with overall minor wear; re-wired 

with furling flag above an openwork balloon adorned with a ribbon swag and fitted with a white translucent Murano glass shade; all suspending a foliate basket; fitted with one standard light;  rewired; overall even wear to gilding

the large bottle-form lamp with long neck and tapering body all in a crater glaze 

this beautifully decorated lamp of ovoid form finely painted overall with large floral stems in rich shades of blue, green and ochre all on a mottled pale blue ground; with subtle gilt decoration; artist signed and dated 1950; excellent vintage condition with no chips or cracks, rewired; with custom giltwood base

each hand-blown lamp produced using the 'murrine' method where patterns are created using glass canes and are revealed when the cane is cut into thin cross-sections; each then covered in a clear overlay of glass called "“incamiciato”; excellent vintage condition with no chips or cracks; wooden bases re-gilded; rewired 

each baluster-form lamp with everted neck and bulbous body all resting on a brass base; with textured surface all in a soft seafoam-green glaze with brown flecks; excellent vintage condition with no chips or cracks; minor pitting to brass bases; rewired

A good example of Blenko hand-blown glass, each with long neck above a bulbous body fitted with a water-drop solid glass stopper all in a cerulean blue clear glass; with pontil marks to underside; crafted using the Venetian free-blown glass technique so slight variations may occur; good condition with no chips or cracks

each with flaring neck above a tapering body resting on a gilt-metal base; all in a soft translucent frosted glass highlighted with gilt perimeter bands; minor wear to gilding; excellent vintage condition with no chips or cracks; rewired; newly gilded bases

the large bottle-form lamp in a richly-textured burnt-orange crater-glaze; excellent condition with no chips or cracks 

a truly spectacular pair of mid-century urn-form lamps of clear glass infused with pink and white latticework design; excellent vintage condition with no chips or cracks; metal caps and wooden bases regilded; rewired

the tall triple-baluster lamps all in a white glaze with applied coral, black and mustard accents; excellent vintage condition with minor wear; no chips or cracks; rewired

of large scale, with long everted neck above a spheroid body all resting on a custom giltwood base; good vintage condition with some wear to surface; rewired

each tall vase with flaring neck above a bulbous body ending in a splayed foot; adorned overall with hand-painted lappet perimeter bands and floral vines; raised on custom wooden painted bases; good condition with one professionally repaired chip to underside of lip; professionally rewired 

each ovoid-form lamp of frosted glass adorned with applied white circles divided by gilded beading; raised on a later stepped Lucite base; good vintage condition with minor wear; re-wired 

the urn-form lamp of impressive scale with gilt teardrop decoration on a deep cerulean ground; raised on a custom, hand-carved giltwood base; later base; good vintage condition with no chips or cracks; some minor rubbing to glaze; rewired 

each ovoid vase with raised decoration at the neck and adorned overall with raised medallions all on a pale blue ground with painted cloud scrolls; the vase flanked by applied ring handles; each marked on underside; the vases were vetted in 1992 by the curator of Japanese Ceramics at the San Francisco Asian Art Museum as well as the director of the Kyoto National Museum, and determined to be produced in Kyoto by the Fifth Family of Dohachi potters, circa 1880; a note was found inside from a U.S.

of faceted translucent white opaline glass, each with long neck above a waisted mid-section over a bell-shaped base; no chips or cracks; rewired; patination to brass fittings; new shades as is.

the vintage 5-piece aluminum set consisting of a circular glass-top table with openwork splayed supports along with four barrel-back chairs; excellent sturdy condition with new gray powder coating and pale blue cushions 

of classical krater form with an ovoid body flanked by upright handles all in a rich faux-burlwood amber-colored glaze; excellent vintage condition with minor overall wear; rewired

each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired 

each tapering square-form lamp supported on gilt-metal mounts capped with ibex heads and terminating in hoof feet; all over an ebonized wooden base; good vintage condition with nno chips or cracks; some pitting to metal surface; professionally rewired

each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired

with applied Amethyst-colored floral vine decoration; raised on a carrara marble plinth with egg and dart ring; excellent condition with minor wear; no chips or cracks

each large lamp of a soft amethyst art glass with controlled bubbles and silver aventurine; raised on a clear glass scalloped base; excellent condition with no chips or cracks; rewired