each shimmering lamp consisting of stacked geometric crystal elements resting on a pierced shaped metal base; excellent condition with no chips or cracks; patina to metal bases; rewired
each good quality chest fitted with 2 mahogany-lined drawers with fruitwood stringing centering brass pulls; raised on tapering turned supports; excellent condition.
each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired
each tall stick of quadrangular form with square shaft above a splayed base; meticulously veneered in beige stone with peach and burnt umber colored marble at the corners surrounded by fine brass stringing; minor wear.
each striking lamp of deep purple bullicante and gold aventurine glass with an iridescent surface; raised on a brass octagonal base; excellent vintage condition with no chips or cracks; rewired
each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired
each lamp decorated with meandering branchwork and cherry blossoms; excellent vintage condition with no chips or cracks; rewired; some wear and patina to brass fittings; underside with under-glaze blue stamp 'porcelaine de paris, france, fondee en 1773'
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer
each tall lamp consisting of stacked faceted crystal orbs and cubes resting on a stepped base; excellent vintage condition; cleaned and rewired
the square upholstered seat above a stick and ball carved openwork apron surrounded by an intricately inlaid body; raised on square supports joined by arabesque spandrels all over turned feet; good antique condition with overall even wear and patina; small areas of replaced inlay; new leather upholstery
each gilt drinks cart with ropetwist frame adorned with swags and tassels; fitted with 2 glass shelves; excellent condition overall even wear
each well-executed plaque of impressive scale depicting a moody forest scene and a tranquil lake setting; all within custom ebonized moulded frames with giltwood slips; excellent antique condition with no chips or cracks to ceramic; minor professional repair to one frame
each cylindrical cased glass lamp adorned with a gold and white harlequin pattern appearing to float above the silver ground; good vintage condition with minor rubbing to surface; no chips or cracks
each hand-blown lamp produced using the 'murrine' method where patterns are created using colored glass canes and are revealed when the cane is cut into thin cross-sections; each then covered in a clear overlay of glass called "“incamiciato”; excellent vintage condition with no chips or cracks; wooden bases re-gilded; rewired
each of compressed spheroid form with incised swirl pattern retaining their chic original conical-form shades; good vintage condition with minor chipping along bottom edge of bases; signed 'O. DuBarry'
with everted lip above an ovoid body decorated overall with white lava glaze swags and perimeter rings over a richly-colored ochre glaze; raised on a faux good painted bases; excellent vintage condition with no chips or cracks; rewired
Each tall ovoid lamp with deep yellow and olive-green drip glaze incised with textured bands of geometric design; raised on a black metal base; in excellent vintage condition with no chips or cracks; rewired.
each with thick square top raised on four circular graduated supports all joined by a lower shelf; having labels adhered to the underside and dated 4/53; good vintage condition with nice even color
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired
Each of baluster form in the Chinese taste adorned with raised floral vines; resting on a pierced gilt metal base; made by the prominent Frederick Cooper Lamp Company, Chicago; excellent condition with no chips or cracks, rewired.
each of warmly patinated walnut with concave tops above a conforming body fitted with two drawers; each drawer with raised panels and centering a brass interlaced knob; with oak secondary wood; excellent vintage condition; professionally refinished
the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass; excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.