great statement lamps with long flaring ceramic neck above a spheroid cork body resting on a similar ceramic base; good vintage condition with overall even wear; no chips or cracks to ceramic; rewired

each with long neck above a bulbous body; adorned overall with a gold and white mottled surface with applied colorful flecks in red, yellow and green; excellent vintage condition with no chips or cracks; rewired; nice patina to brass bases

each tall lamp consisting of stacked faceted crystal orbs and cubes resting on a stepped base; excellent vintage condition; cleaned and rewired

the square upholstered seat above a stick and ball carved openwork apron surrounded by an intricately inlaid body; raised on square supports joined by arabesque spandrels all over turned feet; good antique condition with overall even wear and patina; small areas of replaced inlay; new leather upholstery

each gilt drinks cart with ropetwist frame adorned with swags and tassels; fitted with 2 glass shelves; excellent condition overall even wear

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

each cylindrical cased glass lamp adorned with a gold and white harlequin pattern appearing to float above the silver ground; good vintage condition with minor rubbing to surface; no chips or cracks

each hand-blown lamp produced using the 'murrine' method where patterns are created using colored glass canes and are revealed when the cane is cut into thin cross-sections; each then covered in a clear overlay of glass called "“incamiciato”; excellent vintage condition with no chips or cracks; wooden bases re-gilded; rewired 

each well-figured lamp of well-figured sienna-colored onyx with gray and black veining with flared neck above a bulbous lobed body over a splayed base and giltwood plinth; excellent vintage condition with some chipping to edges; re-gilded base; rewired

each with slender flaring neck above a bulbous body; decorated with incised geometric designs in a white glaze with gilt perimeter bands; overall fine craquelure to glaze; good vintage condition with no chips or cracks; rewired

each of ovoid form in a salt-glazed finish in muted tones of coral, brown and ivory;  resting on brass bases; excellent vintage condition with no chips or cracks; rewired

each of compressed spheroid form with incised swirl pattern retaining their chic original conical-form shades; good vintage condition with minor chipping along bottom edge of bases; signed 'O. DuBarry'

with everted lip above an ovoid body decorated overall with white lava glaze swags and perimeter rings over a richly-colored ochre glaze; raised on a faux good painted bases; excellent vintage condition with no chips or cracks; rewired

Each tall ovoid lamp with deep yellow and olive-green drip glaze incised with textured bands of geometric design; raised on a black metal base; in excellent vintage condition with no chips or cracks; rewired.

each with thick square top raised on four circular graduated supports all joined by a lower shelf; having labels adhered to the underside and dated 4/53; good vintage condition with nice even color

each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired 

Each of baluster form in the Chinese taste adorned with raised floral vines; resting on a pierced gilt metal base; made by the prominent Frederick Cooper Lamp Company, Chicago; excellent condition with no chips or cracks, rewired.

each of muted celadon glaze decorated with gilt designs; raised on stepped brass bases; excellent condition; rewired

each of warmly patinated walnut with concave tops above a conforming body fitted with two drawers; each drawer with raised panels and centering a brass interlaced knob; with oak secondary wood; excellent vintage condition; professionally refinished 

the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass;  excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.

each with long flared neck above a tapering ribbed body over a splayed foot; all in a textured olive green, apple green and ochre glaze; excellent vintage condition with no chips or cracks

Each tall lamp with striking drip glaze in deep greens and blues; raised on a brushed brass base; rewired; good vintage condition with no chips or cracks

each with flaring neck above a tapering body resting on a gilt-metal base; all in a soft translucent frosted glass highlighted with gilt perimeter bands; minor wear to gilding; excellent vintage condition with no chips or cracks; rewired; newly gilded bases

each well-rendered painting depicting mounds of cherries and raspberries in bowls on a black ground; in period gilded frames; newer mattes and gilt fillets; vibrant and clear colors; rubbing and patina to gilding