considered to be 'the most impressive botanical works of the period' by known art historian Anthony Blunt; new acid-free matte and giltwood frame; minor discoloration

the long inset glass top within a molded brass border; raised on a black metal base joined by a lower glass shelf; excellent condition with overall minor wear

the shaped mirrored top above an open work apron all raised on elegant scrolled legs ending in toupie feet all joined by an x-form stretcher; excellent condition

the graduated obelisk-form body raised on 4 brass paw feet; resting on a splayed base over a brass plinth; excellent condition; rewired; shade as is

the shaped lacquered antique tray (circa 1890) with Chinoiserie decoration centering a floral bouquet surrounded by birds and butterflies; raised on a faux bamboo gilt metal stand (circa 1940);  good condition with crackling to lacquer and overall even wear and patina

the inset glass top above an openwork apron with chrome diamond motifs; raised on octagonal supports all joined by a lower glass shelf; excellent condition with minor wear

the rectangular top with diamond inlay above a conforming body with 2 short frieze drawers above 2 doors carved with draped festoons and floral baskets; the scalloped apron centering a bold shell carving; raised on 4 cabriole supports.

the collapsible nickel-plated frame fitted with 2 removable black glass trays with reticulated gallery; excellent condition with minor overall wear 

the inset glass top in a nickel plated frame raised on square lucite supports all joined by a lower glass shelf; excellent vintage condition with minor overall wear

The slatted openwork seat flanked by incurved armrests  above a curule form base with scrolling elements; raw iron finish with overall even wear and patina

each with rectangular framed back above half-round padded arms emanating from lotus leaf carving; raised on well-carved winged sphinx heads above a bowed seat; all over quadrangular supports terminating in robust paw feet; restored; with later boar skin.

the rectangular table with canted corners raised on lucite cluster columns all joined by a lower glass shelf; excellent condition commensurate with age 

great statement pieces, each of curule form in a patinated iron finish; with new faux alligator upholstery 

of heavy quality with 'floating' top raised on square supports joined by a glass lower shelf; striking chrome finish with brushed brass stringing and detailing; excellent condition with minor overall wear.

each striking lithograph centering a black circular reserve with classical figures at various pursuits; later ebonized frames and slips with hand-wrapped linen mattes.

the lively carved rocaille crest with plump fruit and Hoho bird cascading over the rectangular frame adorned with meandering floral festoons; overall patina and rubbing to gilded surface; later beveled plate

the original mirrored top above an openwork frieze raised on exaggerated openwork cabriole supports; overall even rubbing to gilded surface; antiquing and surface wear to mirrored top

centering a convex mirror within a brass frame surrounded by lively cut brass foliage; later mirror; wear and patina to metal; possibly once fitted with a clock

each with arching crest rail above dramatically scrolled arms above lotus leaf carving; the bowed seat with plain frieze apron raised on console legs with carved volutes and lotus leaves at the knee; restored; reupholstered.

each with square, richly-figured macassar veneered tops cantilevered on a chrome base; excellent vintage condition with minor wear to chrome; tops professionally refinished 

the serpentine marble top above a conforming apron centering an openwork floral reserve emanating meandering grape vines along the apron edge and cascading down the cabriole supports with inscrolled feet; patination to gilding; later top.

the squared top above a conforming body fitted with a single tambour door; the arching apron joining four columnar supports above a lower shelf; raised on compressed bulbous feet; restored condition

the expressive upturned head above a well-delineated body with outspread wings standing on a rockwork base; patination to surface with remnants of gilding.

each large scupture of assymetrical shape in an ivory glaze; excellent condition with no chips or cracks; stamped and labeled "Jaru 1984"

of mixed woods with marquetry and parquetry inlay; the rectangular top with large central reserve within a cross-banded border; the body fitted with 3 long drawers with herring-bone veneer adorned with spandrels and imbricated decoration with similarly veneered side panels; the whole standing on tapering legs; rich color and overall  good antique condition with areas of replaced veneer and shrinkage consistent with age and use