the demilune top above a frieze apron fitted with 3 drawers at the front; all raised on tapering quadrangular supports; good antique condition; professionally refinished

 the all panel-cut jar with splayed cover topped with a faceted finial knob all resting on an ovoid body; unsigned; in the manner of Moser Glassworks; in excellent condition with no chips or cracks; minor abrasions to underside of foot

each tapering square-form lamp supported on gilt-metal mounts capped with ibex heads and terminating in hoof feet; all over an ebonized wooden base; good vintage condition with nno chips or cracks; some pitting to metal surface; professionally rewired

a quality lamp made by Chapman Manufacturing Company,  USA, the swivel shade fitted with a standard socket and frosted glass panel raised on adjustable brass arms all over a rectangular base mounted with a toggle switch; professionally disassembled, cleaned and rewired; brass in good condition; ebonized elements re-painted.

"Under the Big Top" this very charming sculpture depicting a dynamic circus ring complete with trapeze artist, tightrope walker, trained seal, acrobats, Pierrot-dressed clowns and horses all under the leadership of the ringmaster who looks out to the audience; with two tall tent poles attached with guide wires; overall even wear and patina to surface

 all in a richly-patinated well-figured burl walnut veneer with serpentine top above a conforming bombe body fitted with three drawers; all raised on cabriole supports ending in bronze sabots; excellent vintage condition with light wear; finish professionally refreshed 

from the Bay Area Figurative Movement; Artist note: "Toni could adopt any guise. As you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. She could be young, middle-aged or timeless, she could evoke a classical goddess, an African queen, a con- temporary urbanite, a peasant maid."

the rectangular top with shaped ends over a conforming case incorporating two long drawers and a pair of paneled doors; raised on rear bracket and front bun feet; the whole retaining original pale-sage painted decoration on an ochre painted ground; originally purchased from Therien & Co., San Francisco; solid condition; overall wear and patina to surface

this life-sized rabbit made of polished aluminum with brass feet and carnelian stone eyes; the top half is a hinged lid; stamped signature 'Arthur Court 1986'

of cornucopia form with flared candle holder tapering to a scrolled end; adorned with florets and acanthus leaves all over a later ebonized wooden plinth; ex-collection of Michael Taylor, San Francisco; later plinth; overall patina and wear; refreshed gilding

the shaped faux marble top above a bombe-form case fitted with 2 drawers over 2 doors all raised on cabriole legs; the whole painted with foliate vines and floral garlands on a muted butter-yellow ground; refreshed surface with overall even wear

with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches

the scalloped top centering an oval medallion radiating coved reserves above a conforming body fitted with brass bale handles;  finely decorated with gilded figures in a garden landscape with pavilions and dragons; the interior fitted with a removable tray; lacking lock; professionally restored with some losses and infilling; crackling to lacquer

each constructed of mixed woods with rectangular tops centering an inlaid floral medallion within inlaid spandrels; above a conforming body fitted with two hinged doors centering inlaid floral reserves; above a scalloped apron raised on cabriole legs; one cabinet of later date with slightly darker inlay; good restored condition with overall patina and areas of replaced veneer; refinished surface

super good quality with elegant shape and small size, the serpentine parquetry top above a bombé body fitted with 2 oak-lined drawers all raised on splayed legs ending in hoof feet; maker's label 'Auffray & Co. NYC" Auffray's & Co. originated in France in the early 1800's. It established a NYC workroom and showroom on 3rd Avenue in 1941. It later spent 40 years on 56th Street and now resides  200 Lexington Avenue in the Design Building. Auffray produced superb quality French reproduction furniture for high-end department stores such as Gimbels and B.

the meticulously crafted chest with book-match veneered rosewood rectangular top with concave front; above three similarly veneered drawers fitted with shell-form enameled pulls, centering well-figured walnut burl wood panels; raised on inlaid turned supports; with metal identification label "Robert W. Irwin, Grand Rapids"; excellent condition with refreshed finish; some rubbing to enameled pulls

the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass