each tall stick of quadrangular form with square shaft above a splayed base; meticulously veneered in beige stone with peach and burnt umber colored marble at the corners surrounded by fine brass stringing; minor wear.
each substantial baluster-form lamp of carved travertine resting on iron bases; from the Collection of Craig Wright, Los Angeles; small areas of infill; professional repair to one lamp base; professionally rewired
each striking lamp of deep purple bullicante and gold aventurine glass with an iridescent surface; raised on a brass octagonal base; excellent vintage condition with no chips or cracks; rewired
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
each with cylindrical neck above a bulbous body all in a clear golden glass infused with translucent white swirls; refurbished with new brass caps and bases; rewired; excellent vintage condition.
each bottle-form lamp with long cylindrical neck above a bulbous body all in a peach and white crackle glaze with gilded highlights; by Frederick Cooper Lamp Co., Chicago; good vintage condition with no chips; fine overall craquelure to glaze; rewired
each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer
great statement lamps with long flaring ceramic neck above a spheroid cork body resting on a similar ceramic base; good vintage condition with overall even wear; no chips or cracks to ceramic; rewired
each with long neck above a bulbous body; adorned overall with a gold and white mottled surface with applied colorful flecks in red, yellow and green; excellent vintage condition with no chips or cracks; rewired; nice patina to brass bases
the square upholstered seat above a stick and ball carved openwork apron surrounded by an intricately inlaid body; raised on square supports joined by arabesque spandrels all over turned feet; good antique condition with overall even wear and patina; small areas of replaced inlay; new leather upholstery
each cylindrical cased glass lamp adorned with a gold and white harlequin pattern appearing to float above the silver ground; good vintage condition with minor rubbing to surface; no chips or cracks
each with incurved wedge-shaped tufted back above a generous seat all raised on turned wooden legs with brass sabots; excellent restored vintage condition with new tweed upholstery
each hand-blown lamp produced using the 'murrine' method where patterns are created using colored glass canes and are revealed when the cane is cut into thin cross-sections; each then covered in a clear overlay of glass called "“incamiciato”; excellent vintage condition with no chips or cracks; wooden bases re-gilded; rewired
each crafted from hardwood inlaid with exotic materials, i.e. ebony and bone, surmounted by an inset woven double-coved seat above an intricate openwork apron all raised on turned supports; good vintage condition
each well-figured lamp of well-figured sienna-colored onyx with gray and black veining with flared neck above a bulbous lobed body over a splayed base and giltwood plinth; excellent vintage condition with some chipping to edges; re-gilded base; rewired
each of ovoid form in a salt-glazed finish in muted tones of coral, brown and ivory; resting on brass bases; excellent vintage condition with no chips or cracks; rewired
each of compressed spheroid form with incised swirl pattern retaining their chic original conical-form shades; good vintage condition with minor chipping along bottom edge of bases; signed 'O. DuBarry'
with everted lip above an ovoid body decorated overall with white lava glaze swags and perimeter rings over a richly-colored ochre glaze; raised on a faux good painted bases; excellent vintage condition with no chips or cracks; rewired
Each tall ovoid lamp with deep yellow and olive-green drip glaze incised with textured bands of geometric design; raised on a black metal base; in excellent vintage condition with no chips or cracks; rewired.
each with thick square top raised on four circular graduated supports all joined by a lower shelf; having labels adhered to the underside and dated 4/53; good vintage condition with nice even color
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired
each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired
each of warmly patinated walnut with concave tops above a conforming body fitted with two drawers; each drawer with raised panels and centering a brass interlaced knob; with oak secondary wood; excellent vintage condition; professionally refinished
