each tall lamp composed of a baluster stem above three graduated lotus leaf cups interspersed with giltwood dividers; all raised on a giltwood base; excellent vintage condition with no chips or cracks; rewired
each tall lamp of ovoid form with rich drip-glaze surface in colors of blue, green, yellow, sienna and brown; each resting on brown painted metal bases; excellent overall condition with only minor surface wear; rewired; bases re-painted
each tall, slender ovoid-form glass lamp decorated with applied green vertical strands; raised on a gold and ebonized painted metal base; excellent vintage condition with no chips or cracks; rewired
each bulbous lamp with glass encased gilded surface adorned with rococo figures; excellent condition; rewired; lampshades as is.
each large-scaled bottle-form lamp consisting of overlapping leaves all in a white glaze; good vintage condition with minor firing cracks; re-wired
each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired
each tall bottle-form lamp with a textured peach and white glaze all over a walnut base; good vintage condition with minor wear; re-wired
each cylindrical lamp of openwork geometric enameled-metal with wooden caps and bases; good vintage condition with minor wear; re-wired
each bottle-form lamp with long flaring neck above a bulbous body all resting on a giltwood base; even wear and rubbing to gilded surface; glass in good condition with no chips or cracks; professionally rewired
each tall hand-blown lamp with long neck and bulbous body all in a translucent sea-foam green glass with dark flecks; fitted with lucite caps and bases; good condition with no chips or cracks; professionally rewired; minor scuffing to lucite
each of elegant ovoid form adorned with finely articulated floral stems and grotto foliage; excellent condition with a few professionally repaired tips; stamped 'made in france' for the export market
each with pierced oval-form cup raised on a graduated cylindrical base; marked 'Royal Haeger, USA' to underside; good vintage condition with minor wear
a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired
each with flaring neck above a tapering body resting on a gilt-metal base; all in a soft translucent frosted glass highlighted with gilt perimeter bands; minor wear to gilding; excellent vintage condition with no chips or cracks; rewired; newly gilded bases
great mid-century design, each ribbed conical-shaped ceramic lamp resting on a concave forest-green lacquered wooden plinth; good vintage condition with no chips or cracks; wooden caps and bases re-lacquered; rewired
Each large lamp with deep earthtone drip glaze in colors of ochre, brown and umber; all raised on a brown painted metal base; excellent vintage condition with no chips or cracks; rewired.
each tapering square-form lamp supported on gilt-metal mounts capped with ibex heads and terminating in hoof feet; all over an ebonized wooden base; good vintage condition with nno chips or cracks; some pitting to metal surface; professionally rewired
each hexagonal lamp with everted neck above a tapering body; all in a rich teal blue drip-glaze over an olive glazed ground; good condition with no chips or cracks; professionally rewired
each striking lamp of baluster form in a pale chartreuse glaze resting on a reticulated brass base; excellent condition; rewired with new lampshades
each well-carved lamp with flared crown above an imbricated body; all resting on a faux marble plinth; rewired; lampshades as is; nicely patinated surface.
epoca, located in the Design Center neighborhood of San Francisco, has been characterized as “blended eclectic” offering unique 20th century furnishings alongside traditional antiques and accessories.
Eric Petsinger:
Two things in Eric Petsinger’s life are truly memorable. The first is a day in 1968 when his mother left the house a brunette and came home a blonde. The second was opening epoca, the beautifully edited San Francisco gallery, a fixture in the San Francisco Design Center neighborhood since 2003. In epoca, Eric has created a layered inventory with a ‘something for everyone’ approach, blending American and European antiques with 20th century furnishings. Whether assisting an interior designer or an antiques enthusiast, Eric says, “Mix it up! Go ahead and put that shapely French rococo armchair next to a sleek John Widdicomb sofa and see how they bring out each other’s beauty.”
