from the Vista Alegre Porcelain Factory (founded 1824) each rectilinear vase with flared neck above a tapering body ending in a splayed foot; hand decorated overall with vibrant floral and foliate vines; maker's mark to underside; now drilled and mounted as lamps; with custom giltwood caps and bases; professionally rewired; only minor wear from use
of generous proportion with flared back and arched crest above a seat with a small hinged compartment; the seat back with carved paneled reserves; raised on a wooden base with later supports; the whole fitted with iron hardware; new channeled leather loose cushion; overall wear and patina; sound construction
with its thick and bold brush strokes creating a textured surface depicting the artist's emotional energy; signed and dated on verso by Salt Lake City artist 'Ann Gallagher 1972 SLC'; good overall condition with clean surface; wear to ebonized wooden frame
the scalloped top centering an oval medallion radiating coved reserves above a conforming body fitted with brass bale handles; finely decorated with gilded figures in a garden landscape with pavilions and dragons; the interior fitted with a removable tray; lacking lock; professionally restored with some losses and infilling; crackling to lacquer
of well-figured macassar veneer with its dark chocolate brown and alternating irregular caramel color striations; the shapely daybed with dramatic incurved ends flanking a deep upholstered seat; raised on a sloping rectangular plinth; new chenille upholstery; good condition with minor overall wear; professionally refinished
A handsome late Empire or early Biedermeier tall chest on chest in 2 sections with four drawers and double serpentine doors beneath a pedestal top; with beautiful book-matched flame or crotch mahogany veneer in a continuous pattern from the top to the bottom of the cabinet; with original brass key escutcheons; good antique condition; professionally refinished; overall even wear to surface
of stylized baluster form with long tapering neck above a compressed body tapering at the base; all raised on an openwork brass base with square plinth; good vintage condition with no chips or cracks; some discoloration and patina to brass; rewired
A tall and striking American 1960s handblown apple-green decanter by Joel Myers for Blenko Glassworks; the bulbous shaped body with long neck of heavy handblown glass fitted with a an iconic airtwist Sommerso style stopper; with fire pontil mark to underside; good vintage condition with no chips or cracks see similar example: https://attic.city/item/MJx2/blenko-6716-decanter-by-joel-myers-in-teal-...
A good example of Blenko hand-blown glass by artist Joel Myers, each with long neck above a bulbous body fitted with a water-drop solid glass stopper all in a cerulean blue clear glass; with pontil marks to underside; crafted using the Venetian free-blown glass technique so slight variations may occur; good condition with no chips or cracks
the rectangular tray with a deep gallery pierced with shaped handles; raised on a later collapsible x-frame stand; deep overall color; good antique condition with nice patina to tray
each of organic form composed of half-round and ribbed glass shades with waisted mid-section and scalloped top and bottom; the interior rolled in a golden crushed glass (graniglia glass) allowing the shade to emit a warm glow; the later gold painted backplates fitted with 2 chandelier bulb sockets; excellent condition with no chips or cracks; minor rubbing to backplates; newly wired
each tall and striking lamp in a soft frosted blue glass adorned with raised floral decoration; excellent condition with no chips or cracks
the rectangular plate within a reverse-painted mirrored frame decorated with graceful floral and foliate vines on a gold gilt ground.
Verre églomisé is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy, who was responsible for its revival.
perfect for a bar cart or an étagère, fitted with three shaped shelves each with perimeter gallery; all raised on turned supports ending in casters; good antique condition with overall minor wear to warm patina
this peaceful pastoral scene at dusk of a shepherd and his sheepdog returning their flock to the stable; Reuben LeGrande Johnston (1850-1918), was born in Alexandria, Virginia. Best known for his landscapes with animals, he was well-traveled, visiting France, Spain, England, Tangiers and Morocco. He also traveled to the American west, notably Cheyenne, Wyoming. He was a member of the Society of Washington (DC) Artists, where he exhibited, in addition to the National Academy of Design; some discoloration to paper; newly matted and framed
the serene tonal painting with its limited palette and harmonizing colors depicting an impressionistic, hilly wintry scene; excellent condition; new giltwood frame and fillet; Robb Beebe began his art training in 1910 at the Cleveland School of Art. Post-university studies led Beebe to the Art Institute of Chicago. In 1913, he began using the name Robb Beebe with its unusual spelling. In the 1930's, Beebe worked as an illustrator for the pulp magazine, All Story Love Tales while contributing to Women's World, Collier's and McCalls.
Alamo Square 2014 - Oil On Canvas By William Stanisich, San Francisco; Signed And Framed Dated 2014 presented by epoca. “Its paths cling to the sides of steep hills. The views are spectacular and after the 1906 earthquake, it was here the surrounding neighborhood set up a tent city to take refuge”.
As one person described Arthur Court's San Francisco shop, "it's a world of wonders - elegant and exotic". A new and innovative aluminum casting process led Arthur and Arthur Court Designs into a new era. His unique aluminum furniture and accessories featured cast antler chandeliers, chairs, tables and bookcases. Department stores across the United States brought his aluminum creations to loyal followers and collectors; reupholstered in brown cowhide.
from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento
a true time capsule of 1961, the 3-dimensional plaster negative relief plaques depicting a golfer, bowler and tennis player all engaged in their sport and all from the perspective of being in front of the player; each inscribed '1961 RICHTER'; Hal Richer ( German-American 1888-1976) an artist and filmmaker known for his contribution to the Dada movement. Settling in the US after fleeing Nazi Germany, spending his later years in Connecticut; good vintage condition with some small chips to edges; some rubbing to surface
each painted with joyous spontaneity successfully mixing the dreamlike and the realistic featuring three beach scenes with dramatic skies and figures scurrying around beached boats; signed 'Ritter' lower left; excellent condition; professionally framed; Laszlo Ritter was a self taught impressionist painter. The Hungarian uprising in 1956 precipitated Ritter's bid for freedom and safety in England at age seventeen. Ritter spent his early years studying the Masters and learning their techniques.
the vintage 5-piece aluminum set consisting of a circular glass-top table with openwork splayed supports along with four barrel-back chairs; excellent sturdy condition with new gray powder coating and pale blue cushions
this classic design of aluminum construction with burgundy leather; original design from 1958, Eames Aluminum Group; 1980's; see '1000 chairs' by Charlotte and Peter Fiell pgs. 338-339; overall creasing and patina to leather with minor rubbing to metal
the black banner with embroidered decals of the Palace of Varied Industries, flowers, and a seal; along with the opening day ribbon with button and pin; good antique condition with minor wear to the edges; repair to ribbon;
The Panama–Pacific International Exposition was a world's fair held in San Francisco, California, from February 20 to December 4, 1915 to celebrate the completion of the Panama Canal, but was widely seen as a way to showcase San Francisco's recovery from the 1906 earthquake
