these elegant barrel-form lamps with ribbed perimeter bands adorned overall with refined opposing floral and foliate vines; raised on giltwood bases; rewired, no chips or cracks; bases re-gilded; minor rubbing to gilt decoration
each with tall flared back above a tight seat flanked by scrolled arms with wood accents; raised on tapering square-form legs; excellent vintage condition; professionally restored and reupholstered
with serpentine rasotica marble top above a conforming carved oak base with dramatic scalloped apron centering a bold shell medallion flanked by rocaille carving; raised on cabriole supports with similar rocaille carving; good antique condition with professional repairs to marble; nice warm patina to wood with overall minor wear
the handsome chest constructed during the Golden Age of Danish furniture (1800-1850) and composed of well-figured mahogany veneer fitted with three drawers inlaid with neoclassical decoration all over a scalloped apron and raised on tapering quadrangular supports; good antique condition with minor veneer repairs and overall even wear and patina
each with upholstered saddle seat above a plain frieze over a curule-form base adorned with lappet carving on the legs ending in in-scrolled feet all joined a turned stretcher; good antique condition with some old indentations to surface; refinished and reupholstered
The curule form is inspired by furniture from Roman Antiquity relating to the authority of the senior magistrates who were entitled to sit in the sella curulis, an x-form chair that most often could be folded.
Made in France from French limestone, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur
the well-figured quarter-veneered oval top above a plain frieze apron raised on a graduated quadrangular pedestal adorned with giltwood anthemion decoration above a giltwood foliate perimeter band; all resting on a concave quadruped base; good antique condition with professionally refinished surface; even wear and patina to gilded surface
each constructed of mixed woods with rectangular tops centering an inlaid floral medallion within inlaid spandrels; above a conforming body fitted with two hinged doors centering inlaid floral reserves; above a scalloped apron raised on cabriole legs; one cabinet of later date with slightly darker inlay; good restored condition with overall patina and areas of replaced veneer; refinished surface
each well constructed chest fitted with 2 drawers with inset reserves and brass pulls; raised on tapering supports; drawer interiors of solid oak; John Stuart furniture labels inside drawers; professionally refinished
this rare architectural or pyramid Biedermeier furniture was created by the highest level craftsmen, having a rectangular top above a pediment frieze over three drawers flanked by Doric columns over block supports; refinished surface; good antique condition with overall even wear and patina
the rectangular carved frame in the neoclassical style of overlapping laurel leaves and berries tied with ribbons all highlighted with acanthus leaves at the corners; refreshed paint and gilding; nice overall even wear and patina; age to original antique plate
the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top
each of graceful art deco design with gently incurved upholstered back flanked by padded arms joining conical terminals; all above a tight seat raised on tuned supports; good condition professionally refinished and reupholstered
the shaped faux marble top above a bombe-form case fitted with 2 drawers over 2 doors all raised on cabriole legs; the whole painted with foliate vines and floral garlands on a muted butter-yellow ground; refreshed surface with overall even wear
the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced
the inset glass top withing a bronze frame raised on cylindrical faux-marble metal supports ending in claw-and-ball feet all joined by an upper perimeter stretcher and lower x-form stretcher; good vintage condition with minor even wear and patina; new glass plate; with 'Made in Spain' metal tag
the rectangular inset glass top within a gilt-iron frame with canted corners all raised on graceful cabriole supports; joined by an arching and interlacing stretcher; new glass; overall rubbing and wear to gilding; good sturdy frame
from the Vista Alegre Porcelain Factory (founded 1824) each rectilinear vase with flared neck above a tapering body ending in a splayed foot; hand decorated overall with vibrant floral and foliate vines; maker's mark to underside; now drilled and mounted as lamps; with custom giltwood caps and bases; professionally rewired; only minor wear from use
of generous proportion with flared back and arched crest above a seat with a small hinged compartment; the seat back with carved paneled reserves; raised on a wooden base with later supports; the whole fitted with iron hardware; new channeled leather loose cushion; overall wear and patina; sound construction
the scalloped top centering an oval medallion radiating coved reserves above a conforming body fitted with brass bale handles; finely decorated with gilded figures in a garden landscape with pavilions and dragons; the interior fitted with a removable tray; lacking lock; professionally restored with some losses and infilling; crackling to lacquer
of well-figured macassar veneer with its dark chocolate brown and alternating irregular caramel color striations; the shapely daybed with dramatic incurved ends flanking a deep upholstered seat; raised on a sloping rectangular plinth; new chenille upholstery; good condition with minor overall wear; professionally refinished
A handsome late Empire or early Biedermeier tall chest on chest in 2 sections with four drawers and double serpentine doors beneath a pedestal top; with beautiful book-matched flame or crotch mahogany veneer in a continuous pattern from the top to the bottom of the cabinet; with original brass key escutcheons; good antique condition; professionally refinished; overall even wear to surface
of stylized baluster form with long tapering neck above a compressed body tapering at the base; all raised on an openwork brass base with square plinth; good vintage condition with no chips or cracks; some discoloration and patina to brass; rewired
