each with shaped lid over a cylindrical body all in alternating clear and frosted glass with hand-painted foliate perimeter bands with gilt highlights; overall even wear with rubbing to gilded surface; no chips or cracks; foliate bands of different hues
impressive size and color, the large apple-green glazed lamp raised on a brushed antiqued brass base; good vintage condition with minor overall wear; rewired
the gadroon lip above a cup-shaped bowl adorned with 4 masks joined by plump garland festoons all raised on a splayed base; minor wear; hairline crack to base.
the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering
Each of cylindrical form covered in a pale green leather fitted with brass spheres all over a canted base; excellent vintage condition with minor wear to surface; rewired
each with long neck above a bulbous body all in a graduated lavender drip glaze all resting on brass bases; excellent vintage condition with only minor wear; no chips or cracks; professionally rewired
each hand-blown vase with vertical striping in soft tones of white, cream and teal; excellent vintage condition with no chips or cracks
with applied Amethyst-colored floral vine decoration; raised on a carrara marble plinth with egg and dart ring; excellent condition with minor wear; no chips or cracks
the tall lamp fitted with graduated lotus style ceramic cups joined by brass dividers; excellent condition with no chips or cracks; rewired
each tall ruffled vase with thickly molded foot; excellent vintage condition with no chips or cracks with minor rubbing to underside
the best of post-war design, each lamp composed of stacked tri-color conical-form glazed elements with brass mounts; Gerald Thurston was one of the most creative American lighting designers of the postwar era. His innovative designs exemplify the streamlined forms of the mid 20th century.
the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired
the hand-blown lamp with long sweeping neck above a bulbous body all in a soft translucent pale yellow glass; with water-gilded wooden base; rewired; excellent vintage condition with no chips or cracks
each with gracefully arched crest sloping to the outscrolled arms; above a bowed tight seat all raised on faux bamboo supports with splayed legs at the rear; restored and reupholstered.
good solid construction, the brass frame with upright handle, fitted with two glass shelves all raised on casters; good vintage condition with overall even wear to brass; new glass panels
each of robust scale all in a raku glaze of muted tones of green and blue; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a variety and depth of colors and surface effects; good vintage condition with minor wear; re-wired
the thick oval-shaped glass top within a brass frame with similar brass perimeter band below; raised on tapering cylindrical supports with urn-form caps and acorn finials; all joined by a graceful in-curved iron stretcher centering a larger acorn finial; professionally polished and strengthened; some overall rubbing to metal and glass
of ovoid shape with flared foot and ebonized wooden base; adorned overall with finely painted floral and foliate vines; rewired; excellent condition with only minor wear; lamp shade as is.
the tall ribbed lamp of sea-foam green art glass with controlled bubbles; excellent condition with no chips or cracks; rewired
the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass; excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.
the shaped back board joining a square hinged lid over a conforming tapering body with inlaid fork and knife on the front; age to leather hinge; minor wear overall.
each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels
each with cylindrical neck above a tapering body adorned overall with lappet and scrollwork perimeter bands and chevron decoration; raised on wooden bases; good condition with no chips or cracks; professionally rewired; property of an East Hampton collector
each tall vase with long flaring neck above a bulbous body; the white vase encased in a yellow cased glass; excellent condition with no chips or cracks.
