BIOGRAPHY
Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings.
STATEMENT
each well-rendered painting depicting mounds of cherries and raspberries in bowls on a black ground; in period gilded frames; newer mattes and gilt fillets; vibrant and clear colors; rubbing and patina to gilding
Sasha Makovkin typically threw pieces which his wife Susan decorated. His work ranged from functional stoneware forms to sculpture and architectural installations. Makovkin dug the stoneware clay he used for his functional pieces from Mt Tamalpias. Long before it was popular, Makovkin fired his work in a diesel fueled kiln using a mixture of used motor oils. 1954-1957 Heath Ceramics, Sausalito, California; 1966-1970 College of the Redwoods, Mendocino, California; 1988-1989 Artists (with his wife Susan) in Residence at Princeton Seminary, New Jersey
the rectangular table top with light green marbleized glass above an apron with birds-eye maple decoration; raised on turned and carved supports with ring and animal embellishments all tapering to brass feet; the six accompanying open back chairs with scalloped back stretcher; original antique condition
the round beveled mirror within a pivoting steel frame raised on a rectilinear maplewood support; all over a steel base; good vintage condition with minor surface abrasions; minor loss of silver to original mirror with no chips or cracks; new brown felt on the reverse
each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer
Each custom bead-embellished silk pillow with gold braid and fringe; the silk reverse panel with braid detail; designed and made by Morrison & Company (metal label attached) originally sold through Baker, Knapp & Tubbs; two square and one rectangular; the rectangular pillow with water stain to reverse panel; overall good condition with beads intact
The central mirror plate within an outer frame of geometric reverse-etched mirrored elements secured with glass floral-form posts; good antique condition with no cracks to original mirrored panels; three outer ropetwist glass rods with minor cracks
each of compressed spheroid form with incised swirl pattern retaining their chic original conical-form shades; good vintage condition with minor chipping along bottom edge of bases; signed 'O. DuBarry'
originally used as traveling tea tables for the british in india; the octagonal top with central star medallion surrounded multiple geometric and foliate designs within an outer foliate vine border; raised on a hinged base with open fretwork; excellent antique condition with some patination to top
originally used as traveling tea tables for the British in India; the octagonal top with central medallion surrounded stylized foliate designs within a border of meandering vines; raised on a hinged base with arabesque spandrels; excellent antique condition with overall warm patina; some replacements to inlay
each with four panels detailing various ways to prevent accidents and lessons learned, including 'Feu, Eau, Contagion, Empoisonnements, and Maison'; based on 19th century original lithographs by Emile Deyrolle; Les Fils d’Emile Deyrolle, Rue du Bac, Paris; restored ebonized wooden frames; some darkening, wrinkling, and foxing; PRICED PER PAIR
each with well-figured richly-patinated flared uprights joined by the original rails; raised on well-carved giltwood paw feet; excellent restored condition; with new custom mattresses; Empire furniture was heavily influenced by Greco-Roman aesthetics and described as spare, noble and massive consistent with Napoleonic majesty and grandeur; these beds are fine examples of the grandeur and style of the Empire period.
with original thickly cut, serpentine-form marble top above a conforming console of finely carved floral bouquets and acanthus leaves; excellent antique condition with overall even wear to gilded surface and marble top
a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks
the youth in contrapposto pose with his right arm raised with a goat-skin slung over his left shoulder, his legs slightly apart and wearing sandals. leaning on one hip and looking downwards at his reflection; the original figure discovered in Pompei and now in the Museo Nazionale, Naples; title on brass plaque 'Musée de Naples' and 'Narcisee de Pompei'; overall wear and patina to surface
The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame
the cartouche mirror plate within a conforming giltwood frame with floral crest above an openwork frame of acanthus and rocaille carving all flanked by the mythical Ho Ho bird with one bird upright and the other downward; the Ho Ho bird was originally seen in Asian artwork and symbolizes good fortune and longevity; overall even wear and patina to re-gilded surface; later plate
the elegantly long rectangular cork top with flared ends raised on pierced splayed wooden supports; excellent condition; original design from 1948
We will set out to demystify the sometimes esoteric world of buying and decorating with antiques.
ASID Members: Everyone who buys or uses furniture, who makes, designs, or sells it, collectors, architects, decorators and students (ASID Members only, please)
Thursday, February 28 at 5:30 p.m. Epoca 1700 16th Street San Francisco
Sign up at Eventbrite:
