each tall lamp composed of a baluster stem above three graduated lotus leaf cups interspersed with giltwood dividers; all raised on a giltwood base; excellent vintage condition with no chips or cracks; rewired

each tall, slender ovoid-form glass lamp decorated with applied green vertical strands; raised on a gold and ebonized painted metal base; excellent vintage condition with no chips or cracks; rewired  

each large-scaled bottle-form lamp consisting of overlapping leaves all in a white glaze; good vintage condition with minor firing cracks; re-wired

each with pierced oval-form cup raised on a graduated cylindrical base; marked 'Royal Haeger, USA' to underside; good vintage condition with minor wear

each ovoid vase with raised decoration at the neck and adorned overall with raised medallions all on a pale blue ground with painted cloud scrolls; the vase flanked by applied ring handles; each marked on underside; the vases were vetted in 1992 by the curator of Japanese Ceramics at the San Francisco Asian Art Museum as well as the director of the Kyoto National Museum, and determined to be produced in Kyoto by the Fifth Family of Dohachi potters, circa 1880; a note was found inside from a U.S.

this large ever-so chic fixture composed of 12-arms with 2 lights per arm often attributed to Tommi Parzinger and manufactured by Lightolier; uses chandelier bulbs with a 60 watt maximum; canopy with Lightolier label; excellent vintage condition

a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired

these rare and striking art glass decanters with bulbous stoppers above a graduated ruffled body; with 'Made in Italy' foil label to underside;  Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; excellent vintage condition with no chips or cracks to exterior; with polished pontil 

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

each with flaring neck above a tapering body resting on a gilt-metal base; all in a soft translucent frosted glass highlighted with gilt perimeter bands; minor wear to gilding; excellent vintage condition with no chips or cracks; rewired; newly gilded bases

each ceramic ovoid-form lamp in a matte steel-blue glaze with a brass perimeter band of imbricated leaves; good vintage condition; minor pitting to brass; re-wired

each well-figured lamp of well-figured sienna-colored onyx with gray and black veining with flared neck above a bulbous lobed body over a splayed base and giltwood plinth; excellent vintage condition with some chipping to edges; re-gilded base; rewired

each tall vase with flaring neck above a bulbous body ending in a splayed foot; adorned overall with hand-painted lappet perimeter bands and floral vines; raised on custom wooden painted bases; good condition with one professionally repaired chip to underside of lip; professionally rewired 

of faceted translucent white opaline glass, each with long neck above a waisted mid-section over a bell-shaped base; no chips or cracks; rewired; patination to brass fittings; new shades as is.

each with flared neck above a bulbous lobed body over a flared base resting on a gilt-metal splayed base with lappet decoration; minor wear; rewired; new lampshades as is.

each with long columnar neck above a bell-shaped body adorned with gilt banding and bold greek key motif; excellent condition with minor wear; rewired; new lampshades as is.

the white bottle-form Murano lamp with gold inclusions fitted with brass mounts; good vintage condition with minor wear and patina; re-wired

each ovoid-form lamp of frosted glass adorned with applied white circles divided by gilded beading; raised on a later stepped Lucite base; good vintage condition with minor wear; re-wired 

each with long slender neck above a compressed body; with brass caps and bases and elegant floral mounts; good vintage condition with no chips or cracks; professionally rewired; some age and patina to brass mounts

each with flaring neck above a tapering body all in a vibrant chartreuse-yellow crackle glaze; resting on a custom giltwood base; no chips or cracks, rewired 

each cylindrical cased glass lamp adorned with a gold and white harlequin pattern appearing to float above the silver ground; good vintage condition with minor rubbing to surface; no chips or cracks

each with brass fittings and of conical form above a square plinth with harlequin pattern of vertically arranged contrasting diamonds all on an ivory ground with gilt flecking; good vintage condition with minor wear and patina; rewired; height: 14.5" (top of porcelain)  23.5" (top of shade) width: 4.5"  depth: 4.5"

each painted with Chinoiserie decoration beneath a cased-glass surface giving them a beautiful luminescent quality; on reticulated ebonized bases; excellent vintage condition with no chips or cracks; rewired 

each signed and hand-thrown jar-form pot decorated with abstract foliate fronds; all glazed in earth tone colors of russet, brown and ochre; excellent vintage condition with no chips or cracks; rewired; Eric Norstad (1924-2013) was an American potter and architect who worked primarily on the west coast of the United States.