each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired
each with flaring neck above a tapering body all in a vibrant chartreuse-yellow crackle glaze; resting on a custom giltwood base; no chips or cracks, rewired
each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.
each surmounted by a bronze foliate ring above an octagonal ceramic body resting on a brass base; good vintage condition with no chips or cracks; brass bases with some minor wear; rewired
each cylindrical lamp covered in deep-teal interlacing leather strap work resting on a brushed nickel base; later plating; rewired with new shades; excellent condition; shades as is
each ovoid lamp of impressive size with ribbed neck above a tapering body; all in a rich drip glaze of celadon and pale blue; excellent vintage condition with no chips or cracks; rewired
each substantial baluster-form lamp of carved travertine resting on iron bases; from the Collection of Craig Wright, Los Angeles; small areas of infill; professional repair to one lamp base; professionally rewired
each tall lamp consisting of stacked faceted crystal orbs and cubes resting on a stepped base; excellent vintage condition; cleaned and rewired
each cylindrical cased glass lamp adorned with a gold and white harlequin pattern appearing to float above the silver ground; good vintage condition with minor rubbing to surface; no chips or cracks
each hand-blown lamp produced using the 'murrine' method where patterns are created using colored glass canes and are revealed when the cane is cut into thin cross-sections; each then covered in a clear overlay of glass called "“incamiciato”; excellent vintage condition with no chips or cracks; wooden bases re-gilded; rewired
each of ovoid form in a salt-glazed finish in muted tones of coral, brown and ivory; resting on brass bases; excellent vintage condition with no chips or cracks; rewired
each robust stick with deep cup above a double-baluster support; raised on a tripartite base with spheroid feet; minor wear; excellent condition; newly wired and mounted as lamps
the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass; excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.
each tall lamp with long neck above a ribbed bulbous body resting on a flared giltwood base; excellent vintage condition; rewired
each column of Italian Carrara marble with raised perimeter band all over a stepped base adorned with gilt metal capitals and brass fittings at the base; good vintage condition with some chipping at the base; patina to marble and metal surfaces; rewired
each large tapering vessel finely decorated with naturalistic paintings in enamel of parrots on flower laden branches with gilt accents; excellent condition with no chips or cracks; minor wear to gilt; now mounted as lamps
each finely carved lamp with cloud scrolls and lappet border at the neck, above a tapering body adorned with bold chrysanthemums and birds; raised on carved giltwood bases; good vintage condition with no chips or cracks; fine craquelure overall; rewired; wooden bases have been watergilded
each of shapely baluster form with flaring neck above a bulbous body with a flared foot; hand-painted overall with iron-red floral and foliate vines and clusters with flying birds on the rear; raised on wooden bases; good overall condition with no chips or cracks; professionally rewired
each painted with Chinoiserie decoration beneath a cased-glass surface giving them a beautiful luminescent quality; on reticulated ebonized bases; excellent vintage condition with no chips or cracks; rewired
each with flared neck above a bulbous lobed body over a flared base resting on a gilt-metal splayed base with lappet decoration; minor wear; rewired; new lampshades as is.
each gracefully proportioned lamp of elongated teardrop form above an ebonized circular metal plinth; rewired; shades as is
each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired
each large lamp of a soft amethyst art glass with controlled bubbles and silver aventurine; raised on a clear glass scalloped base; excellent condition with no chips or cracks; rewired
each bulbous form lamp of pale-green glass infused with frosted flecks; raised on a giltwood base; no chips or cracks; rewired with new shades; shades as is
April showers brings May, actually, June––flowers; flowers bursting of vibrant beautiful color, just like this large pair of crackle-glaze ceramic lamps in a richly-colored turquoise by Frederick Cooper here at epoca. These lamps are a perfect example of the extraordinary quality associated with the Frederick Cooper Lamp Company established in Chicago in 1923. Frederick was a Chicago artist and was fascinated with the new invention of lamps and tried to incorporate the elements and flavors of American architecture of that time which has been carried on through the generations. Visit our gallery at 1700 16th street @ Kansas to see these and other fabulous lamps at epoca and the new home of Garden Court Antiques. See you soon!