each doki (earthenware) vase of shapely sensual baluster form covered in a rich celadon drip glaze ending at the foot; each marked to underside; excellent condition with no chips or cracks

each with flaring neck above a tapering body all in a vibrant chartreuse-yellow crackle glaze; resting on a custom giltwood base; no chips or cracks, rewired 

each with flaring neck above square-form tapering body all in a richly-colored red-orange glaze decorated with subtle gilt floral vines; resting on a wooden ebonized base; good vintage condition with no chips or cracks; rewired

each of cylindrical fluted form all in a rich drip glaze of blues and greens on a celadon ground; excellent condition with no chips or cracks; rewired, lampshades as is

each tall double-baluster lamp of ivory crackle glaze; adorned with stylized floral and foliate relief carved perimeter bands and reserves; raised on splayed brass bases; good vintage condition with minor wear; re-wired

each baluster-form lamp with everted neck and bulbous body all resting on a brass base; with textured surface all in a soft seafoam-green glaze with brown flecks; excellent vintage condition with no chips or cracks; minor pitting to brass bases; rewired

each tall slender lamp of bottle-form with black, yellow and teal drip glaze; raised on an ebonized metal base; good vintage condition with minor wear; re-wired

the tall triple-baluster lamps all in a white glaze with applied coral, black and mustard accents; excellent vintage condition with minor wear; no chips or cracks; rewired

of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired

nice collection of vintage Royal Haeger pottery vessels; marked 'Royal Haeger, USA' to underside; good vintage condition with overall minor wear, minor chipping to lower edge; some craquelure to glaze

with flaring neck above a portly body all in a fiery red-over-black glaze; raised mark to underside; excellent vintage condition with no chips or cracks

each with long neck above a bulbous body all in a graduated lavender drip glaze all resting on brass bases; excellent vintage condition with only minor wear; no chips or cracks; professionally rewired

each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired

MADELEINE LIEPE (Oregon/Switzerland, 1929-2017) Signed lower right and dated 1970, signed again and titled verso; the serene charcoal drawing of lush trees surrounding a pond with a gently rolling lawn in the foreground; good clean condition with only minor discoloration; new acid-free matting with gilt fillet and ebonized wooden frame;  Madeleine Liepe was a Postwar and Contemporary artist who spent her professional career in Oregon.

from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

well-executed solid bronze sculpture of young boys on a seesaw;  all resting on a solid onyx base; Curtis Jere was a metalwork company of wall sculptures and household accessories founded in 1963. Elle Decor referred to the works of Jere as 'vintage chic' in a 2010 article by Mitchell Owens; nice patina to bronze; minor chipping to edges of onyx base

Signed lower left; Paul Immel was born in Helena, Montana in 1864. Immel studied at the Ball School of Art in Minneapolis and in 1924 moved to Los Angeles where he further studied at Otis Art Institute, later moving to Seattle, Washington. Immel is known for his watercolor floral studies and was a member of the Puget Sound Group of Northwest Painters and the Northwest Watercolor Society; excellent condition with nice clear colors; some wear to blonde-stained wooden frame

each with tall padded rectangular back joined by downswept arms with scrolling terminals flanking a tight seat; raised on turned block-and-bulbous legs ending in compressed bun feet; joined by like stretchers; excellent restored condition with muslin upholstery

Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick square top with bullnose edge and baluster-form support. New with only minimal wear expected, table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.

the richly-patinated bust of a young girl with serene direct gaze and soft wavy hair; raised on a green marble plinth; excellent condition.

with serene gaze turned to the right and looking downward above a voluptuous rough-hewed seated body; excellent condition.

Large vintage painted wood foundry form re-purposed as a mirror; in colors of red, black and mustard; good condition with rubbing and patina to painted surface 

each tall, slender ovoid-form glass lamp decorated with applied green vertical strands; raised on a gold and ebonized painted metal base; excellent vintage condition with no chips or cracks; rewired  

a great statement piece or centerpiece of faceted and etched glass; excellent condition with no chips or cracks

the large hollowed-out burl root with outwardly twisting arms; overall wear and patina, professionally polished; one tip replaced