each substantial baluster-form lamp of carved travertine resting on iron bases; from the Collection of Craig Wright, Los Angeles; small areas of infill; professional repair to one lamp base; professionally rewired

the moody painting depicting a London bus stop in the rain; painted in the impasto style with a layered painted surface created with thick knife strokes in colors of blue and purple; signed lower left; with title and signature on reverse; some wear to original frame

of impressive size, the cased glass bowl with swirl decoration in brown, gold and copper on a butter-yellow ground; excellent condition

each stylized elongated bird in a soft coral-to-clear glass; excellent condition with no chips or cracks; minor scuffing to underside

each clear glass cylinder adorned with applied bamboo branch work; excellent condition; rewired

a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired

with high cartouche-shaped back centering an over-scaled coral painted shell motif; above a faux marble hinged seat over a solid apron with scalloped border; in colors of coral, blue, green and ochre on a pale blue ground; good antique condition; nice overall wear and patina to refreshed painted surface

the mottled translucent bakelite cylindrical shaft of rich crimson color over a square base and plinth; some wear to surface; rewired; new lampshade as is.

a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
 

each of robust scale all in a raku glaze of muted tones of green and blue; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a variety and depth of colors and surface effects; good vintage condition with minor wear; re-wired

each cube-form chair with 'floating' backrest above a tubular chromed steel base; newly upholstered in a butter-yellow velvet with foam wrapped down cushion and seat; minor wear to chrome; Milo Baughman (American, 1923–2003) was a furniture designer who was born in Goodland, KS. After studying at the Art Center School of Los Angeles and the Chouinard Art Institute, he joined Frank Brothers as a custom furniture designer. In 1947, Baughman established Milo Baughman Design, Inc.

each outscrolled candlearm emanating from a vasi-form base; fitted with the original scalloped brass shade with pierced decoration; good vintage condition with overall patina and wear; some pitting to brass; re-wired

each tall ruffled vase with thickly molded foot; excellent vintage condition with no chips or cracks with minor rubbing to underside 

each well-carved lamp with flared crown above an imbricated body; all resting on a faux marble plinth; rewired; lampshades as is; nicely patinated surface.

each cylindrical lamp covered in deep-teal interlacing leather strap work resting on a brushed nickel base; later plating; rewired with new shades; excellent condition; shades as is

Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on giltwood bases; small areas professionally restored; rewired

Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on gilt-metal bases; excelllent condition with no visible chips or cracks; professionally cleaned and rewired

the bulbous oil spot vase of translucent apricot color; minor wear to underside.

each of triangular form with molded edge composed of square parquetry design; raised on turned tapering ebonized supports; good vintage condition with refinisged surface 

each doki (earthenware) vase of shapely sensual baluster form covered in a rich celadon drip glaze ending at the foot; each marked to underside; excellent condition with no chips or cracks

the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired

the tall ribbed lamp of sea-foam green art glass with controlled bubbles; excellent condition with no chips or cracks; rewired

an exceptionally rare size, this Murano glass lamp using the Sommerso technique of layered colored glass; excellent vintage condition with no chips or cracks; rewired

great mid-century design, each ribbed conical-shaped ceramic lamp resting on a concave forest-green lacquered wooden plinth; good vintage condition with no chips or cracks; wooden caps and bases re-lacquered; rewired