the finely-carved reticulated frame with exuberant foliate crest; the frame adorned with lively c-scrolls, rocaille and floral motifs; overall excellent antique condition; later antique mirror plate
of shield form in the neoclassical taste, the mahogany frame with applied brass decoration; age to original mirror plate; frame professionally cleaned and refinished
each large well-rendered painting depicting Chinese vases finely detailed with colorful floral and foliate stems; professionally conserved and re-stretched on new frames; good clear and vibrant colors; excellent condition; newly framed
composed of 70 glass tubes on a tapering, tiered metal frame fitted with 12 chandelier sockets; each glass piece measuring 10 inches in height and 3 inches in diameter; frame repainted; rewired; some glass elements cracked but solid
fitted with two removable bentwood trays supported by a collapsible frame raised on circular supports ending in casters; maker's label adhered to inside of frame 'John Stuart, Inc, New York, Grand Rapids'; professionally refinished; some wear to casters
Moya Aiken
the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass; excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.
each of impressive size with short everted laurel leaf mouth flanked by scrolled handles with bold acanthus leaf decoration; the compressed bulbous body with overlapping foliate ring all raised on a splayed base with square plinth; good antique condition with overall even wear; minor chipping along the base
this very peaceful painting composed of many layers of paint and varnish creating complex hues beneath a silky, soothing surface; Chiu finds her inspiration from her personal spiritual journeys to Mexico and India
the impressively large and heavy hot cast glass bowl with copper metal leaf adornment; excellent condition with no chips or cracks; George Bucquet and his small team of artisans use a process of pouring hot glass, thick and translucent, into hand-made molds; after up to eight days of cooling, each piece is hand painted using a metallic palette of gold, silver, and copper leaf. Bucquet has established a national reputation for his unique and striking cast glass bowls.
each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding
this explosive brutalist iron nail sculpture contrasting the cold black steel iron nails and the warm buffed-brass brazing combing artistic design, geometric form and the high quality of the braze; excellent vintage condition with no visible condition issues, signed by the artist
each of compressed spheroid form with incised swirl pattern retaining their chic original conical-form shades; good vintage condition with minor chipping along bottom edge of bases; signed 'O. DuBarry'
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired
the tall vessel decorated overall with relief decoration depicting birds standing and perched in a water setting amid cattails, water plants and foliate branches; signed 'France' to underside with impressed maker's mark 'St. Andre, Nice'; minor chipping along base; with some professional repairs
with revived interest in the arts and design of the Renaissance period of the 14th-16th centuries; signed to underside 'AS' for Alfredo Santarelli (Italian 1874-1957) Majolica lustre-glazed urn with serpent handles; professional repair to lip
each ovoid vase with raised decoration at the neck and adorned overall with raised medallions all on a pale blue ground with painted cloud scrolls; the vase flanked by applied ring handles; each marked on underside; the vases were vetted in 1992 by the curator of Japanese Ceramics at the San Francisco Asian Art Museum as well as the director of the Kyoto National Museum, and determined to be produced in Kyoto by the Fifth Family of Dohachi potters, circa 1880; a note was found inside from a U.S.
a well-thought out composition as the table plain draws the viewer into the room of a seated woman with distant gaze dressed in a blue jacket; the table set with a bowl of fruit, a goblet and plant; all within a silver-leafed carved wooden frame with linen slip; excellent condition professionally cleaned and restored; unsigned; later frame
Susan's energetic, colorful abstract contemporary paintings are based on her study of nature - from flowing water to rolling meadows; her use of thick brush strokes while adding and removing material creates a vivid collage of color and movement; within a thick birchwood frame; signature to lower left and on the reverse; label on reverse; good condition with no visible defects to canvas; minor wear to wooden frame
View Photos: Change is good but thank goodness the lamb chops remained! This year’s San Francisco Fall Art and Antiques Show was all about change and for the better. The improved floor plan created secret passageways and sneak peaks for the exhibition goer. Attendees meandered through brightly-colored Farrow and Ball painted booths. The well-attended show had a fresh new look with vibrant contemporary art galleries mixed among the traditional and 20th century furniture dealers. Bravo SFFAAS 2016!
2018 marks epoca’s 15th year anniversary! To celebrate, we've reduced items from 30% up to 50%! Its our way of saying Thanks. Stop in our gallery at 1700 16th Street in San Francisco, phone 415 864-6895, or view Sale items online.
California Homes Magazine visits San Francisco's South of Market Antiques Dealers in the Fall 2016 Issue
"Eric Petsinger of Epoca mingles 20th century furniture and accessories with more traditional pieces. The Pittsburgh native advises clients, “Mix it up! Go ahead, put that shapely French rococo armchair next to a sleek John Widdicomb sofa, and see how they bring out each other’s beauty.”
