the openwork back with canted corners and vasiform splats; with down-scrolled arms all raised on tapering supports; excellent restored condition with cut velvet upholstery

inlaid overall with parquetry and scrollwork inlay all raised on later bun feet; excellent restored condition with some replaced veneer.

the domed chased lid with embossed husk band and pinecone finial; the ovoid body flanked by bale handles raised on 3 anthemion-topped paw feet; wear and indentations.

each with thick napoleon machete marble top above a bowed cabinet fitted with 3 drawers with brass stringing flanked by brass inlaid fluted stiles and sides all over a scalloped apron; new tops; excellent restored condition.

the large mahogany oval tray centering am impressive satinwood shell motif surrounded by rosewood banding; raised on a later stand; excellent restored condition

perfect as an ottoman, stool, foot rest, or table having an oval upholstered seat above a deep apron and raised on turned wooden supports ending in casters; excellent antique condition with new upholstery; refinished

with incurved back caned back centering an inlaid crest above sloping arms with brass terminals over a caned seat all raised on reeded supports ending in brass feet; good antique condition with minor wear and surface indentations; patina to brass; refreshed surface

the thick and robust beechwood frame with silver-gilt accents surrounding the original antiqued mirror plate; excellent antique condition with well-patinated mirror plate

the ochre marble top resting on a well-carved aqua painted base with ochre foliate scrolls; all supported on hoof feet; overall even wear and patination.

this handsome one-of-a-kind hand-crafted vase of beautifully figured walnut and birdseye maple; good vintage condition with professional repair to base of neck

with arching framed crest rail with double-caned back above an elongated caned seat with bowed end; all raised on 6 fluted turned supports; excellent restored antique condition with new caning; nice overall even patina to paint and gilding

of well-figured macassar veneer with its dark chocolate brown and alternating irregular caramel color striations; the shapely daybed with dramatic incurved ends flanking a deep upholstered seat; raised on a sloping rectangular plinth; new chenille upholstery; good condition with minor overall wear; professionally refinished

the tapering openwork support above 6 scrolled arms ending in a glass orb pendant knob; excellent vintage condition; rewired

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

with pinched spout above a portly body with squared handle; all in a controlled dolomit glaze over brown in a striped pattern; signed 'Ceramano Hand Albeit' to underside; excellent vintage condition with minor surface rubbing.

with quick spontaneous brushstrokes using nonrepresentational shapes in black, gray and white paints on a sepia ground; newly framed;  Abstract Expressionism is a post–World War II American art movement, developed in New York in the 1940's. It was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris. 

with high and enclosed hollowed-out back above a loose cushion seat; resting on wooden legs joined by an H-stretcher; excellent vintage condition; newly upholstered; the Porter's chair was placed at the front door to be used by a household servant who awaited a visitor's knock. The design enveloped the servant for warmth and protection from the cold breezes as the door was opened and closed. 

Susan's energetic, colorful abstract contemporary paintings are based on her study of nature - from flowing water to rolling meadows; her use of thick brush strokes while adding and removing material creates a vivid collage of color and movement; within a thick birchwood frame; signature to lower left and on the reverse; label on reverse; good condition with no visible defects to canvas; minor wear to wooden frame

this large ever-so chic fixture composed of 12-arms with 2 lights per arm often attributed to Tommi Parzinger and manufactured by Lightolier; uses chandelier bulbs with a 60 watt maximum; canopy with Lightolier label; excellent vintage condition

originally used as traveling tea tables for the british in india; the octagonal top with central star medallion surrounded multiple geometric and foliate designs within an outer foliate vine border; raised on a hinged base with open fretwork; excellent antique condition with some patination to top

originally used as traveling tea tables for the British in India; the octagonal top with central medallion surrounded stylized foliate designs within a border of meandering vines; raised on a hinged base with arabesque spandrels; excellent antique condition with overall warm patina; some replacements to inlay 

from the Vista Alegre Porcelain Factory (founded 1824) each rectilinear vase with flared neck above a tapering body ending in a splayed foot; hand decorated overall with vibrant floral and foliate vines; maker's mark to underside; now drilled and mounted as lamps; with custom giltwood caps and bases; professionally rewired; only minor wear from use

these unique carvings are from a Churulan Vallam, a traditional narrow boat used in the famous snake boat races of Kerala, South India and powered by approximately 45 people; the prow is carved as a "churul" meaning a ring out of local aini wood and adorned with incised carvings and inset metal embellishments; some missing metal elements with overall wear and abrasions

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced

of openwork pineapple form in a gray and subtle verdigris finish with flared top above a bulbous woven body raised on splayed feet; glass top not included; structurally sound with expected wear and patina to the iron surface from outdoor use