each tall well-figured square-form balustrade all over a giltwood base; good antique condition with overall even wear; now mounted as lamps; rewired; one with professional repair

the writhing swimming fish with imbricated scales; resting on a swirling wave; one minor chip to tail.

each substantial baluster-form lamp of carved travertine resting on iron bases; from the Collection of Craig Wright, Los Angeles; small areas of infill; professional repair to one lamp base; professionally rewired

each with cylindrical neck above a tapering body adorned overall with lappet and scrollwork perimeter bands and chevron decoration; raised on wooden bases; good condition with no chips or cracks; professionally rewired; property of an East Hampton collector

each clear glass cylinder adorned with applied bamboo branch work; excellent condition; rewired

with deep brown lacquered finish, the tall graduated caned back above a loose cushion flanked by down-swept arms all over splayed legs; professionally refinished with newly upholstered seat

The Grand Ledge Chair Company was founded in 1837 in Grand Ledge, Michigan,  as a small furniture shop by Thomas Garrett, Harry Jordan, and Edward Crawford. It remained a family run business until 1973, when the business was sold and eventually closed in 1981. 

each hand-blown lamp produced using the 'murrine' method where patterns are created using glass canes and are revealed when the cane is cut into thin cross-sections; each then covered in a clear overlay of glass called "“incamiciato”; excellent vintage condition with no chips or cracks; wooden bases re-gilded; rewired 

a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
 

each outscrolled candlearm emanating from a vasi-form base; fitted with the original scalloped brass shade with pierced decoration; good vintage condition with overall patina and wear; some pitting to brass; re-wired

each bulbous form lamp of pale-green glass infused with frosted flecks; raised on a giltwood base; no chips or cracks; rewired with new shades; shades as is

the white bottle-form Murano lamp with gold inclusions fitted with brass mounts; good vintage condition with minor wear and patina; re-wired

the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition

this hip and very comfortable high back leather-upholstered chair with paddle-form arms and raised on turned supports; new leather upholstery; excellent condition.

each well-carved lamp with flared crown above an imbricated body; all resting on a faux marble plinth; rewired; lampshades as is; nicely patinated surface.

each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired 

Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on giltwood bases; small areas professionally restored; rewired

Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on gilt-metal bases; excelllent condition with no visible chips or cracks; professionally cleaned and rewired

each ovoid vase with raised decoration at the neck and adorned overall with raised medallions all on a pale blue ground with painted cloud scrolls; the vase flanked by applied ring handles; each marked on underside; the vases were vetted in 1992 by the curator of Japanese Ceramics at the San Francisco Asian Art Museum as well as the director of the Kyoto National Museum, and determined to be produced in Kyoto by the Fifth Family of Dohachi potters, circa 1880; a note was found inside from a U.S.

each of triangular form with molded edge composed of square parquetry design; raised on turned tapering ebonized supports; good vintage condition with refinisged surface 

each carved wood and parcel-gilt corbel adorned overall with lively foliate scrolls;  fitted with striking polychromed majolica masks depicting Bacchus, the Roman god of agriculture, wine and fertility; one blue-eyed, the other brown-eyed; wear and chips to ceramic; overall wear and patina to gilding 

each tall hand-blown lamp with long neck and bulbous body all in a translucent sea-foam green glass with dark flecks; fitted with lucite caps and bases; good condition with no chips or cracks; professionally rewired; minor scuffing to lucite

each openwork sconce with flaring top, waisted mid-section and graceful upturned arms with turned wooden candlecups; minor overall wear