each with goose neck pediment above a glazed cabinet resting on a base fitted with a single drawer over two doors; nicely decorated overall with various scenes; areas of refreshed gilding and paint; good antique condition
purchased in Rome in the 1980's, the well-carved chubby winged putti in opposing stances and poised on one foot over a rock-work base; depicting the grape harvest also known as the allegory of autumn (see detail image of Jean-Jacques Lagrenée's 'Putti Harvesting Grapes'); interior image courtesy 'Edward Lobrano Interior Design', NYC; excellent antique condition with overall rubbing to refreshed gilding
these rare and striking art glass decanters with bulbous stoppers above a graduated ruffled body; with 'Made in Italy' foil label to underside; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; excellent vintage condition with no chips or cracks to exterior; with polished pontil
This expressive, forcefully-rendered horse head sculpture with flared nostrils and lively mane; raised on a separate base; fine overall craquelure; with minor chips and flakes
each gilt drinks cart with ropetwist frame adorned with swags and tassels; fitted with 2 glass shelves; excellent condition overall even wear
with ribbon crest above a circular backplate emanating 3 scrolled iron candlearms; all over a knotted ribbon ending in tassels; refreshed gilding with overall even patina; rewired
a rococo style mirror with a modern twist; the oval plate within a gilt-metal frame consisting of lively C-scrolls and foliate sprays; excellent vintage condition with overall even wear to newly gilded surface
the inset rectangular glass top within a gilt-metal frame; raised on dramatically splayed supports ending in short graduated quadrangular feet all joined by a lower inset glass shelf; good vintage condition with solid construction; overall even wear and patina to gilded surface; minor surface abrasions to glass
this stylish Hollywood Regency gilt-brass and crystal pendant light fitted with over-scaled round faceted crystal elements; great statement piece for a powder room, small hallway or dressing room; rewired with 6 chandelier bulbs with a maximum of 60 watts each; excellent vintage condition with no chips or missing crystals
the urn-form lamp of impressive scale with gilt teardrop decoration on a deep cerulean ground; raised on a custom, hand-carved giltwood base; later base; good vintage condition with no chips or cracks; some minor rubbing to glaze; rewired
each column of Italian Carrara marble with raised perimeter band all over a stepped base adorned with gilt metal capitals and brass fittings at the base; good vintage condition with some chipping at the base; patina to marble and metal surfaces; rewired
each tall hand-blown lamp with long neck and bulbous body all in a translucent sea-foam green glass with dark flecks; fitted with lucite caps and bases; good condition with no chips or cracks; professionally rewired; minor scuffing to lucite
the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass
a wonderful period English George III hand-carved tilt-top supper/tea table with shell and leaf carved top with circular reserves, over a turned baluster support issuing three downswept legs terminating in ball and claw pad feet; the English supper table became popular during the reign of King George II and continued into the late 18th century; repair to edge of top; refinished surface
one of the largest and best quality Canterbury's made, fitted with three adjustable serpentine dividers on a rectangular base with applied moldings and lion ring handles; the columnar rounded corners continuing to tapering legs on brass casters; excellent antique condition; attributed to Gillows of Lancaster and London (1730-1840)
of striking form with concave sides fitted with 2-doors to reveal oak-lined drawers; adorned overall with pewter mounts and supports; good vintage condition with minor repairs
executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; excellent vintage condition
the large desk with hand-tooled embossed leather writing surface above a paneled case finished with five drawers on front and back; the sides fitted with slide out writing areas with conforming leather tops; raised on shapely cabriole legs; excellent antique condition with professional repairs to include refreshed leather and refinished surface; areas of wear and patina to leather
the inset black leather top with gilt hand-tooled border all within a bowed square top above a paneled apron with brass banding fitted with one long drawer; raised on tapering fluted supports ending in brass sleeves and casters; good condition commensurate with age; patina and overall even wear to leather and wooden surface; age and wear to brass
each bulbous lamp with glass encased gilded surface adorned with rococo figures; excellent condition; rewired; lampshades as is.
the long neck with bulbous mid-section of carved foliate motifs; raised on a tripartite base on 3 scrolled feet; restored condition.
supporting 5 candle cups; adorned overall with crystal pendants; excellent condition; rewired
