this classically-inspired chandelier with a 20th century twist; of polished chrome adorned overall with shimmering crystal orbs; excellent condition; newly wired and professionally cleaned

of neoclassical style, the oval inset beveled glass top within a nickel-plated frame; all raised on cylindrical supports ending in toupie feet all joined by a shaped stretcher; good vintage condition with some abrasions to glass and metal; minor pitting on feet; small interior chip to glass along edge

the long neck with bulbous mid-section of carved foliate motifs; raised on a tripartite base on 3 scrolled feet; restored condition.

each large anthemion with boldly scalloped edge; overall wear; great garden accessories

the well-crafted lamp of quilted glass with gold inclusions; excellent condition with no chips or cracks; rewired

each large lamp of a soft amethyst art glass with controlled bubbles and silver aventurine; raised on a clear glass scalloped base; excellent condition with no chips or cracks; rewired

the richly patinated solid cherrywood rectangular top with canted corners above a conforming base raised on four boldly scrolled openwork trestle supports all joined by a cross stretcher; excellent condition.

of classical krater form with an ovoid body flanked by upright handles all in a rich faux-burlwood amber-colored glaze; excellent vintage condition with minor overall wear; rewired

each tall lamp of ovoid form with rich drip-glaze surface in colors of blue, green, yellow, sienna and brown; each resting on brown painted metal bases; excellent overall condition with only minor surface wear; rewired; bases re-painted

each with flaring neck above a bulbous body; the textured surface covered in a deeply colored blue and teal drip glaze; excellent condition with no chips or cracks; professionally rewired

the acid-washed orb resting on a bronze stand consisting of 3 seated griffins; excellent condition; some rubbing to bronze.

Each tall ovoid lamp with deep yellow and olive-green drip glaze incised with textured bands of geometric design; raised on a black metal base; in excellent vintage condition with no chips or cracks; rewired.

each with new tan leather upholstery above an openwork apron centering a foliate motif; raised on cabriole supports; excellent condition with overall even wear to finish 

imported from France and in three pieces, the thick rectangular top with ogee edge raised on concave supports; great for outdoor patio or interior use; some weathering and patina to surface

the rolled bark edge and arching handle above an everted oblong body of simulated grained wood resting on a splayed base; weathered and chipped surface.

with slender flaring neck above an ovoid body; composed of various laminated wooden sections turned on a lathe

the globular pot with rolled lip tapering to the base; chipping and weathered surface

each of open rectilinear form with inset scrollwork detailing above overscaled scrolled feet; wear and patination to surface.

each tall urn with rolled lip above a flared body and lobed mid-section; raised on a splayed base; overall even weathered and oxidized surface

the tall lamp consisting of 2 large ceramic-like ostrich eggs divided by geometric lucite elements all over a stepped base; good vintage condition; professionally rewired; minor overall wear

Sasha Makovkin typically threw pieces which his wife Susan decorated. His work ranged from functional stoneware forms to sculpture and architectural installations. Makovkin dug the stoneware clay he used for his functional pieces from Mt Tamalpias. Long before it was popular, Makovkin fired his work in a diesel fueled kiln using a mixture of used motor oils. 1954-1957 Heath Ceramics, Sausalito, California; 1966-1970 College of the Redwoods, Mendocino, California; 1988-1989 Artists (with his wife Susan) in Residence at Princeton Seminary, New Jersey

with everted neck above a compressed body covered overall in an iridescent multi-layered glaze of cobalt blue, greens and yellow; incised signature to underside; The Western version of Raku was developed in the 20th century by studio potters. Typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. The Western process can give a great variety and depth of colors and surface effects as seen with this pot; good vintage condition with no chips or cracks

of shapely cage-form emanating 8 scrolling candle arms adorned overall with gilt-tole foliate and crystal pendants; excellent vintage condition; rewired

the oval plate within a punched iron border surrounded by a sloping openwork frame of graceful s-curves; excellent condition

the antique mirrored inset top raised on 4 tapering fluted square supports all joined by an x-form stretcher centering a winged sphinx