each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface

each of triangular form with molded edge composed of square parquetry design; raised on turned tapering ebonized supports; good vintage condition with refinisged surface 

Each hand-carved cup-shaped vessel with Greek key collar above a tapering body resting on a separate square base; overall wear and patina; one side on each urn of darker patina; some chipping to surface; one with replaced Greek key rim

each square pillow with tapestry insert with silk borders and back; with tassels to edges; good condition with minor professional repairs

the square upholstered seat with a low out-scrolled openwork backrest; all above an undulating apron raised on tassels; overall even wear and patina to re-gilded surface; newly upholstered 

each tall stick of quadrangular form with square shaft above a splayed base; meticulously veneered in beige stone with peach and burnt umber colored marble at the corners surrounded by fine brass stringing; minor wear.

of striking form with concave sides fitted with 2-doors to reveal oak-lined drawers; adorned overall with pewter mounts and supports; good vintage condition with minor repairs

the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass;  excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.

the rectangular top centering bookmatched Kingwood veneer within a walnut border; over a conforming apron fitted with a single drawer with similar veneer all raised on graceful splayed legs joined by a lower shelf; excellent antique condition; professionally restored 

of pegged construction the serpentine top with hand-tooled maroon leather insert above a shaped apron fitted with 3 drawers adorned with rocaille brass escutcheons; all raised on graceful cabriole supports; professionally refinished; replaced leather top

the large desk with hand-tooled embossed leather writing surface above a paneled case finished with five drawers on front and back; the sides fitted with slide out writing areas with conforming leather tops; raised on shapely cabriole legs; excellent antique condition with professional repairs to include refreshed leather and refinished surface; areas of wear and patina to leather 

these elegant barrel-form lamps with ribbed perimeter bands adorned overall with refined opposing floral and foliate vines; raised on giltwood bases; rewired, no chips or cracks; bases re-gilded; minor rubbing to gilt decoration

with serpentine rasotica marble top above a conforming carved oak base with dramatic scalloped apron centering a bold shell medallion flanked by rocaille carving; raised on cabriole supports with similar rocaille carving; good antique condition with professional repairs to marble; nice warm patina to wood with overall minor wear 

the serene tonal painting with its limited palette and harmonizing colors depicting an impressionistic, hilly wintry scene; excellent condition; new giltwood frame and fillet; Robb Beebe began his art training in 1910 at the Cleveland School of Art. Post-university studies led Beebe to the Art Institute of Chicago. In 1913, he began using the name Robb Beebe with its unusual spelling. In the 1930's, Beebe worked as an illustrator for the pulp magazine, All Story Love Tales while contributing to Women's World, Collier's and McCalls.

centering a triple-baluster column emanating scrolled solid-brass arms with original drip pans; terminating in a large sphere with ring finial; originally candle-lit but now electrified; excellent antique condition with overall even wear and patina; with original 1951 invoice from C.J.

depicting a wooded landscape in the impasto technique using thickly laid paint in soothing colors of blue and green; unsigned with artist label on verso; excellent clean surface; with later glazed custom oak frame and linen matte.

surmounted by an exuberant crest centering a boldly-scaled butterfly flanked by cascading floral vines; all over a circular mirror plate within a conforming beveled mirrored frame with reverse-etched floral and foliate vines; excellent condition with no chips or cracks; antiquing to silver; some glass rosette screw covers missing; Established in 1911, Mirror Fair (now known as Stephen Cavallo, a 3rd generation owner) is still in operation today in New York's Upper East Side and offers custom-made mirrors, bespoke cast-glass moldings and mirrored paneling still using the same centuries-old t

this large-scale iron lamp with its neoclassical form and lobed body; resting on a black wooden plinth; excellent condition; rewired 

each octagonal covered urn with large arching reserves adorned overall with floral and foliate stems; all raised on a giltwood base; excellent condition with some professional restorations; rewired

the domed cover with curved ribbed handle resting on a cup-shaped bowl; excellent vintage condition with no chips or cracks 

each with framed oval back above a tight seat flanked by padded arms all raised on fluted supports; good restored antique condition with new leather upholstery; overall even wear and patina to surface

the eglomise border with serpentine crest within carved giltwood moldings surrounding a conforming mirror plate; excellent vintage condition with overall even wear

each hand-carved swag with plump fruit and vegetables nestled among flower heads and foliage; good antique condition with overall minor wear

each large tapering vessel finely decorated with naturalistic paintings in enamel of parrots on flower laden branches with gilt accents; excellent condition with no chips or cracks; minor wear to gilt; now mounted as lamps

surmounted by a bold foliate crest above an openwork floral basket over a reticulated frame of cascading floral vines, lively acanthus leaves, rocaille and C-scrolls; good antique condition with refreshed gilding; overall even wear and patina, later mirror plate; some elements re-glued