each tall ovoid Paris Porcelain vase flanked by upright handles; the front of each depicting figures in a landscape setting; the reverse with a garden scene; adorned with gilt accents throughout; unmarked; excellent antique condition with no chips or cracks; slight gilt loss
each of overall good condition with sturdy construction; some staining to cushions; webbing is tight with overall even wear and good color; chips to powder-coated finish
a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks
the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass; excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.
the oval metal frame with beaded slip surmounted by an exuberant plumed urn above lively floral and foliate swags; excellent condition with overall even rubbing to gilding; age to mirrored plate
each striking lithograph centering a black circular reserve with classical figures at various pursuits; later ebonized frames and slips with hand-wrapped linen mattes.
centering a convex mirror within a brass frame surrounded by lively cut brass foliage; later mirror; wear and patina to metal; possibly once fitted with a clock
the well-executed mirror with flourishing ribbon crest above an oval frame adorned with oak and laurel leaf border; surrounding the original beveled mirror; excellent antique condition with minor professional repairs to ribbon; refreshed gilding
with a large foliate spray crest above an openwork frame consisting of floral and foliate vines, C-scrolls and acanthus leaves; shipping import label on reverse for Antonio's Antiques, San Francisco; good antique condition with overall even rubbing; later mirror plate
the boldly-carved rope-twist oval frame embellished with acanthus leaves all surrounding a later beveled mirror plate; overall even wear and patina to refreshed gilding; antiquing to plate; some shrinkage to wood
each with everted lip above a columnar support over a lobed mid-section; raised on a tripartite base with 3 scrolled feet; wear to paint; small replacements.
each with shaped lid over a cylindrical body all in alternating clear and frosted glass with hand-painted foliate perimeter bands with gilt highlights; overall even wear with rubbing to gilded surface; no chips or cracks; foliate bands of different hues
each octagonal covered urn with large arching reserves adorned overall with floral and foliate stems; all raised on a giltwood base; excellent condition with some professional restorations; rewired
each tall finial with pointed spire above a lobed baluster-form mid-section resting on a graduated square base; the whole on later ebonized wooden plinths; good antique condition with overall weathered surface; indentations and patina
each candlecup supported on a spiraling shaft all over a circular drip pan; good vintage condition with areas of wear; remants of maker's label to underside
having an embossed leather writing surface, above the five drawer case, flanked with slide-out surfaces and raised on tapered and fluted legs ending in casters; good antique condition with overall even wear; wear and good patina to leather top
the center support of simulated drapery and bow; emanating 6 double-scrolled candlearms; the whole tapering to a grape cluster pendant surrounded by openwork foliate motifs; rewired.
the marble top within a pierced gallery above a body fitted with 3 drawers flanked by fluted stiles raised on fluted legs; excellent restored condition.
with sloping in-curved back over a loose cushion seat flanked by fluted supports capped with carved snail shells; excellent restored condition with refinished surface; newly upholstered
the youth in contrapposto pose with his right arm raised with a goat-skin slung over his left shoulder, his legs slightly apart and wearing sandals. leaning on one hip and looking downwards at his reflection; the original figure discovered in Pompei and now in the Museo Nazionale, Naples; title on brass plaque 'Musée de Naples' and 'Narcisee de Pompei'; overall wear and patina to surface
one of the best examples of a spoon back chair with its tall incurved back with an inlaid stylized floral and foliate motif; the down-swept arms above a box seat raised on console legs with carved volutes and lotus leaves at the knee; professionally restored with new black boar-skin upholstery
with tole candlecup above a well-carved graduated support raised on a tripartite base; excellent restored condition with areas of refreshed gilding.
