a nice set of three Venetian glass paperweights infused with controlled bubbles; good vintage condition with no chips or cracks

this large-scale iron lamp with its neoclassical form and lobed body; resting on a black wooden plinth; excellent condition; rewired 

the slender brass faux bamboo support resting on a circular bronze rockwork base with outscrolled leaves; excellent vintage condition; rewired

each shimmering lamp consisting of stacked geometric crystal elements resting on a pierced shaped metal base; excellent condition with no chips or cracks; patina to metal bases; rewired 

the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside

the rectangular mirror within an undulating gilt frame giving the appearance of small folds; can also be hung horizontally; even wear to re-gilded surface; minor age to plate

these rare and striking art glass decanters with bulbous stoppers above a graduated ruffled body; with 'Made in Italy' foil label to underside;  Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; excellent vintage condition with no chips or cracks to exterior; with polished pontil 

each with cartouche back above a serpentine seat flanked by apdded arms; raised on cabriole supports

each covered jar decorated with hand painted landscape scenes with cherub detail; good antique condition with some chipping to edges

each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside; minor overall surface wear

fitted with a telescoping adjustable neck above a wooden support resting on a tripartite brass base with stylized shell feet; good vintage condition with only minor wear; rewired

each modeled as stacked half-spheres on a brass circular base; minor overall wear to alabaster; some discoloration and patina to brass; rewired

the rectangular inset glass top within a gilt-iron frame with canted corners all raised on graceful cabriole supports; joined by an arching and interlacing stretcher; new glass; overall rubbing and wear to gilding; good sturdy frame

the elongated bowl in colors of coral to citrine tapering to a clear glass foot; good vintage condition with surface abrasions

of stylized baluster form with long tapering neck above a compressed body tapering at the base; all raised on an openwork brass base with square plinth; good vintage condition with no chips or cracks; some discoloration and patina to brass; rewired

each with flared neck above a fluted cylindrical body adorned with finely detailed gilt-bronze grapevine swags; all raised on a giltwood base; stamped "Lampe A Moderateur Par Brevet D'Invention Et De Perfectionement"; excellent antique condition; rewired

each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

each boldly-scaled lamp with flared top above a cup-shaped body adorned with a guilloche perimeter band and bell-flower swags surrounding half-profile portraits; resting on a splayed circular base over a black marble plinth; wear and patina to surface; indentations; rewired

mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface

this explosive brutalist iron nail sculpture contrasting the cold black steel iron nails and the warm buffed-brass brazing combing artistic design, geometric form and the high quality of the braze; excellent vintage condition with no visible condition issues, signed by the artist

each with an embossed leather box seat above an ash frame with plain frieze apron raised on faux bamboo splayed legs all joined by a perimeter stretcher; excellent vintage condition; professionally polished and reupholstered