This expressive, forcefully-rendered horse head sculpture with flared nostrils and lively mane; raised on a separate base; fine overall craquelure; with minor chips and flakes 

of varying heights, each with ruffled cup of striking orange glass; raised on clear glass stems; with foil labels; excellent condition with no chips or cracks

dressed in vintage 1940's clothes, the pensive golfer stares down the fairway after completing the perfect swing; inscribed EG ; with an overall brown patina with some green oxidation; good vintage condition with general overall wear; appears to have had a plaque on marble base; some chipping along bottom edge of base
 

a fine example from the Leeds factory Burmantofts faïence, with pierced neck and shoulder and adorned overall with incised decoration; excellent antique condition with overall minor wear consistent with age; stamped to underside 'Burmantofts Faience, 504 EAS', examples of Burmantofts faience can be found in the Victoria & Albert Museum Ceramic collection

 of extra large scale and composed of contrasting metals; with wide protruding mouth connected to the ovoid copper body by a brass riveted ring all joined by a large brass ear or handle; good antique condition with overall even wear and patination

with revived interest in the arts and design of the Renaissance period of the 14th-16th centuries; signed to underside 'AS' for Alfredo Santarelli (Italian 1874-1957) Majolica lustre-glazed urn with serpent handles; professional repair to lip

the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside

the slender brass faux bamboo support resting on a circular bronze rockwork base with outscrolled leaves; excellent vintage condition; rewired

the ovoid ribbed glass with controlled bubbles; with carerra marble cap and base; rewired; excellent condition with no chips or cracks; minor wear to marble; lamp shade as is.

the tall ribbed lamp of sea-foam green art glass with controlled bubbles; excellent condition with no chips or cracks; rewired

an exceptionally rare size, this Murano glass lamp using the Sommerso technique of layered colored glass; excellent vintage condition with no chips or cracks; rewired

of baluster form with gilt-bronze mounts; excellent condition with some wear to gilding; rewired

the mottled translucent bakelite cylindrical shaft of rich crimson color over a square base and plinth; some wear to surface; rewired; new lampshade as is.

of large scale, with long everted neck above a spheroid body all resting on a custom giltwood base; good vintage condition with some wear to surface; rewired

the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering 

the adjustable support with forest green tole shade; the body with 3 well-delineated swans over an incised dish; excellent condition with minor wear; craquelure to paint; rewired

the large bottle-form lamp with long neck and tapering body all in a crater glaze 

fitted with a telescoping adjustable neck above a wooden support resting on a tripartite brass base with stylized shell feet; good vintage condition with only minor wear; rewired

minor wear to honed surface; new wiring; shade as is; French wired

Sasha Makovkin typically threw pieces which his wife Susan decorated. His work ranged from functional stoneware forms to sculpture and architectural installations. Makovkin dug the stoneware clay he used for his functional pieces from Mt Tamalpias. Long before it was popular, Makovkin fired his work in a diesel fueled kiln using a mixture of used motor oils. 1954-1957 Heath Ceramics, Sausalito, California; 1966-1970 College of the Redwoods, Mendocino, California; 1988-1989 Artists (with his wife Susan) in Residence at Princeton Seminary, New Jersey

with everted neck above a compressed body covered overall in an iridescent multi-layered glaze of cobalt blue, greens and yellow; incised signature to underside; The Western version of Raku was developed in the 20th century by studio potters. Typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. The Western process can give a great variety and depth of colors and surface effects as seen with this pot; good vintage condition with no chips or cracks

incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks

consisting of one ovoid pot and a fish-mouth vase, each in a glossy light-chartreuse glaze contrasting with a matt brown background; Schlossberg Keramik was established in 1946 by Ilse and Theodore Stefan in the North Rhine-Westphalia region of Germany. The name was derived from its proximity to the foot of the 'schloßberg' or castle hill; excellent vintage condition with no cracks; minor overall rubbing to surface; some small fritting to rims

each half-round top with cross-banded border above a conforming central cabinet and upper drawer; raised on tapered rectangular legs; professionally refinished; small veneer replacements, ht. 33 1/4, wd. 37, dp. 18 7/8 in