the round top above a plain frieze apron fitted with a single drawer; raised on a tripod base of elegantly splayed and tapering supports with a waisted neck; good vintage condition with overall even wear and patina; minor repairs and re-gluing to veneer
each lamp by Swank Lighting in a magical textured chartreuse-colored glass with a frost-like translucent finish creating a blurry surface allowing scattered light to pass through; each with foil 'Swank Lighting' label; raised on giltwood bases; good vintage condition with minor rubbing to gilding; professionally rewired; no chips or cracks
this stylish Hollywood Regency gilt-brass and crystal pendant light fitted with over-scaled round faceted crystal elements; great statement piece for a powder room, small hallway or dressing room; rewired with 6 chandelier bulbs with a maximum of 60 watts each; excellent vintage condition with no chips or missing crystals
centering a baluster-form support above a glass bowl emanating 6 scrolled candle-arms with deep cups surrounding lively flower and leaf inserts; composed of gold aventurine and clear glass; good vintage condition with some replaced stems
the frosted and ribbed bullicante (controlled bubble) ovoid shade emanating alternating clear glass foliate fronds; good vintage condition with no chips or cracks; professionally rewired; fitted with three lights
a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $3,800 each
the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced
centering a convex mirror within a gilt metal frame consisting of radiating spokes of varying lengths; good vintage condition with overall even wear to gilding
