each of robust scale all in a raku glaze of muted tones of green and blue; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a variety and depth of colors and surface effects; good vintage condition with minor wear; re-wired
each of rectangular form with raised offset concentric rings or 'ripples' all in a deep blue on black glaze; excellent vintage condition with no chips or cracks; STEULER was founded in Höhr-Grenzhausen, a center of the ceramic industry in the Rhineland's Kannenbäckerland, in 1917. STEULER reached its artistic zenith in the 1960s and '70s and is best known today for the inspiring designs of Cari Zalloni. Here's a fine specimen from Cari Zalloni's shapely and colorful 'Zyklon' line of 1968 for STEULER KERAMIK.
of Art Deco and Neoclassical inspiration, the rectangular table with glass top resting on a sturdy chrome frame with tapering square-form legs capped with bold spheres; all joined by a shaped H-stretcher; excellent vintage condition with minor wear and patination to metal surface
the well-patinated table of solid construction with round top raised on six splayed faux bamboo supports all joined by cross stretchers; overall even wear and oxidation to surface;
with its thick and bold brush strokes creating a textured surface depicting the artist's emotional energy; signed and dated on verso by Salt Lake City artist 'Ann Gallagher 1972 SLC'; good overall condition with clean surface; wear to ebonized wooden frame
the chrome fixture with central support emanating 10 splayed arms ending in tubular batons capped by glass spheres with electrical sockets at opposite end; adorned with suspended glass spheres; fitted with 10 chandelier-sized sockets; excellent vintage condition with minor surface wear; re-wired
the kidney-shaped glass top raised on 3 rectilinear Lucite supports all joined by curvaceous brass stretchers; good vintage condition with minor overall wear;
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired
good solid construction, the brass frame with upright handle, fitted with two glass shelves all raised on casters; good vintage condition with overall even wear to brass; new glass panels