a stylish French 1940s brass rectangular coffee table with inset black glass top; with black glass top inset within a brass frame raised on reeded supports with stylized melon-form caps all joined by a lower x-form stretcher; later glass; good vintage condition with overall even wear and patina

the open cartouche-shaped back with elaborately carved vasiform splat profusely carved with rocaille, C-scrolls and floral motifs above a drop-in seat with mohair upholstery; flanked by supported S-scrolled arms with lively floral carving; the seat rail with carved fretwork design; all raised on similarly carved cabriole legs ending in a trifid pad foot; finish professionally refreshed; new mohair upholstery; good antique condition with even wear and patina

Of fine quality, the tall and impressive cabinet in the neoclassical taste with canted corners all capped by a pierced gallery above a case fitted with two hinged doors of book-matched mahogany veneer centering inlaid shell medallions below drapery festoons within well-carved framed reserves; the lower section fitted with three long drawers with inlaid stringing and half-round shell motifs; all flanked by fluted pilasters; the side panels with similar inlay; the whole raised on splayed bracket feet; good antique condition with professional restorations; refinished surface; portions of the g

decorated with a scenic reserve centering a hunter on horseback beside a pair of dogs all on a black lacquered ground with gilt foliate decoration; impressed mark to underside ' Mark Knowles and Sons'; good antique condition with some wear and patina to surface; later faux bamboo black lacquered stand

the inset glass top within a chrome frame with geometric openwork apron; good condition with minor overall wear

the oval top above a plain frieze apron all raised on deep-brown stained cluster column supports ending in bun feet; all joined by a shaped lower stretcher; excellent antique condition with refinished surface

the elegantly long rectangular cork top with flared ends raised on pierced splayed wooden supports; excellent condition; original design from 1948  

the circular top with demi-bullnose edge all in a richly-colored book-match burl walnut veneer with a satinwood and ebony inlaid perimater band; raised on a turned baluster support with lappet carving the whole raised on burl wood cabriole supports; professionally refinished with overall even wear and rich patina

a wonderful period English George III hand-carved tilt-top supper/tea table with shell and leaf carved top with circular reserves, over a turned baluster support issuing three downswept legs terminating in ball and claw pad feet; the English supper table became popular during the reign of King George II and continued into the late 18th century; repair to edge of top; refinished surface

the square clear glass plate resting on a nickel plated base consisting of 4 upturned supports over 4 downturned legs; minor patination to metal.

the original mirrored top above an openwork frieze raised on exaggerated openwork cabriole supports; overall even rubbing to gilded surface; antiquing and surface wear to mirrored top

the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.

of well-figured mahogany with oval top raised on turned ebonized double-column supports over a conforming lower shelf; all over four short ebonized turned feet; good restored condition; professionally refinished surface

the cartouche mirror plate within a conforming giltwood frame with floral crest above an openwork frame of acanthus and rocaille carving all flanked by the mythical Ho Ho bird with one bird upright and the other downward; the Ho Ho bird was originally seen in Asian artwork and symbolizes good fortune and longevity; overall even wear and patina to re-gilded surface; later plate

with its thick and bold brush strokes creating a textured surface depicting the artist's emotional energy; signed and dated on verso by Salt Lake City artist 'Ann Gallagher 1972 SLC'; good overall condition with clean surface; wear to ebonized wooden frame

each with thick napoleon machete marble top above a bowed cabinet fitted with 3 drawers with brass stringing flanked by brass inlaid fluted stiles and sides all over a scalloped apron; new tops; excellent restored condition.

the handsome and richly-patinated English table in the Neo-Gothic taste with long rectangular top within a half-bullnose molding; above a frieze apron fitted with two drawers; raised on bold quadrangular neo-gothic supports all joined by a lower shelf; the whole supported on four compressed bun feet; good antique condition with overall wear and patina; old stains and watermarks; professionally refinished 

the rectangular quarter-veneered top with banding and molded edge over a burlwood frieze drawer above a scalloped apron; all raised on cabriole supports ending in pad feet; overall wear and patina; brasses replaced

the rectangular top with glass insert flanked by open handles; over a thick apron raised on elegant splayed supports

the exuberantly carved pagoda crest surrounded by lively acanthus leaves, c-scrolls and grotto motifs cascading down to an openwork frame; wear and rubbing to gilding; with professional repairs; refreshed gilding; some age to later plate

An elegant and finely ; Labeled: Han Larsen, Kallundborg, Kjobenhavn; the half-round top over a conforming base inlaid with satinwood inlay and ebony stringing; fitted with four drawers flanked by two hinged doors; raised on short tapering legs; Circa 1880

Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface

the well-figured marble top resting on an iron tripod frame with rope-twist perimeter ring surrounded by 3 splayed supports ending in hoof feet; joined by a shaped stretcher; excellent condition with minor wear and patina

each with round teak top raised on metal supports ending in teak feet; Albert Larsson was a Swedish carpenter and furniture maker from the Mid-century modern period. He established his own business Alberts Tibro in 1938, and after World War II the small production team began specializing in coffee tables and multifunctional height-adjustable tables. Throughout the following decades the company grew to become one of Sweden's most successful manufacturers.