one of the prettiest pairs of chinese lamps that we have had in our inventory; each of slender baluster form adorned with gilt meandering floral vines; raised on a turned giltwood base; excellent condition with minor even wear; rewired
incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels
of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp
each shapely vase with everted neck above an ovoid body flanked by loop handles; each vase with a finely-rendered gilded neoclassical scene; no chips or cracks; overall even wear to glaze
the bulbous oil spot vase of translucent apricot color; minor wear to underside.
each large vase modeled in the long ovoid form; the body painted in polychrome enamel depicting bold and colorful flowers, trees and butterflies under a geometric band at the shoulder; mounted as lamps with bronze openwork collar and base with lappet perimeter band; professionally rewired; nice patina to bronze; good antique condition with no chips or cracks
Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.
A pair of Royal Crown Derby vases ca. 1893 having relief gilt floral and fruit motif encircling the bodies with Art Nouveau pattern at the flared necks, all on a pink ground; each having an iron red overglaze Derby Crown mark with interlacing D's above cypher indicating year 1893; gentle wear commensurate with age including slight wear to gilding; one minuscule fleabite at lower edge of one vase; slight crazing along bottom edge of one vase.
each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside; minor overall surface wear
Excellent vintage condition with no chips or cracks; Königliche Porzellan Manufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19th Century, and was, and still is, one of the most prolific producers of luxury porcelain
each with arbalète-form crest above an incurved upholstered back over a loose cushion seat; flanked by upholstered arms all raised on gadrooned uprights and legs; professionally reupholstered and refinished; good overall condition
with strap handles flanking a reeded ovoid body adorned with a foliate perimeter band; all raised on a splayed foot; overall wear with some discoloration; old hairline crack to rim
of good scale and proportions, each with scrolled crest with sloping arms ending in inwardly scrolling terminals; flanking an upholstered loose cushion seat above a carved apron; raised on turned tapering and fluted supports; good antique condition and structurally sound; professionally refinished and reupholstered
the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip
the striking ovoid vessel with fish-mouth opening; painted overall with large leaves and bamboo shoots all on a white ground; with underglaze blue markings to underside; The first porcelain factory in the town of Marktredwitz opened in 1872 and was known under the name of Porzellanfabrik Jaeger, Thomas & Co. until Fritz Thomas quit in 1898, opening his own factory in 1903. In 1908, the “F. Thomas, Marktredwitz” factory was purchased by Rosenthal, ceasing operation in 1960.
each of graceful art deco design with gently incurved upholstered back flanked by padded arms joining conical terminals; all above a tight seat raised on tuned supports; good condition professionally refinished and reupholstered
each decorated urn with inverted lip flanked by double handles; the bulbous body tapering to a flared base; stamped "fac-simile of an antique vase; subject - paris seizing helen to carry her to troy;" minor repair to base
Three globular forms with narrow mouths; comprising blue glaze example, dark purple glaze example, and black glaze with ocher accent; the blue vase with "Otto 98", the purple vase with "Otto 02", the black vase with "Otto 99"; excellent condition with minimal wear
each artist-signed lamp of baluster form with waisted neck above an ovoid body all over a splayed foot; resting on a turned gold-painted wooden base; each adorned with well-executed hand-painted exotic birds resting on a meandering floral and foliate branch; height: 18.5" (top of porcelain) 30.5" (top of shade); marked 'Made in Italy' to underside; good condition with no chips or cracks; professionally rewired; minor wear to wooden bases
each custom made chair by Lx Rossi with in-curved sloping back cascading down to outscrolled terminals; flanked by a bowed loose cushion over a plain frieze apron all resting on tapering turned supports; the frame veneered in a taupe-colored shagreen; excellent condition; newly upholstered
the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside
A tall and striking American 1960s handblown apple-green decanter by Joel Myers for Blenko Glassworks; the bulbous shaped body with long neck of heavy handblown glass fitted with a an iconic airtwist Sommerso style stopper; with fire pontil mark to underside; good vintage condition with no chips or cracks see similar example: https://attic.city/item/MJx2/blenko-6716-decanter-by-joel-myers-in-teal-...
the thickly-modeled and tall vases in a richly-colored orange glass with clear base infused with black and white swirls; no chips or cracks
