each with oval-shaped bowl flanked by outscrolled handles all raised on a splayed oval base ending in a raised laurel leaf perimeter band; good antique condition with overall even wear and patina; rubbing to gilding;  no chips or cracks

each with flaring neck above square-form tapering body all in a richly-colored red-orange glaze decorated with subtle gilt floral vines; resting on a wooden ebonized base; good vintage condition with no chips or cracks; rewired

each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired 

each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic)  34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks

of classic Robsjohn-Gibbings design with its iconic profile featuring a framed upholstered back above a loose cushion seat flanked by open work arms; all raised on subtly flared supports; warm patina to well-figured walnut frame; professionally refinished; good sturdy condition; in need of reupholstering.

this signed special edition art glass bowl is one of Blenko's yearly designer series offerings for 2001; the large handblown circular bowl with wide rim in a rich cerulean blue glass resting on a chamfered amber-colored foot; with acid etched signature to underside 'Richard Blenko 2001'; with maker's label 'Blenko Handcraft'; excellent condition with no chips or cracks

the large bottle-form lamp in a richly-textured burnt-orange crater-glaze; excellent condition with no chips or cracks 

of striking form with concave sides fitted with 2-doors to reveal oak-lined drawers; adorned overall with pewter mounts and supports; good vintage condition with minor repairs

each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.

each of rectangular form with raised offset concentric rings or 'ripples' all in a deep blue on black glaze; excellent vintage condition with no chips or cracks; STEULER was founded in Höhr-Grenzhausen, a center of the ceramic industry in the Rhineland's Kannenbäckerland, in 1917.  STEULER reached its artistic zenith in the 1960s and '70s and is best known today for the inspiring designs of Cari Zalloni. Here's a fine specimen from Cari Zalloni's shapely and colorful 'Zyklon' line of 1968 for STEULER KERAMIK.

A Boldly Rendered Pair of French Art Nouveau Prints of Architectural Interior and Exterior Details by Ernest David; newly matted and framed.

each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear

great Italian design, the oval mirror having scrolled gilt metal frame, over a wall-mounted demilune console table with glass top above a scrollwork base; excellent vintage condition with overall even wear to gilding

Gorgeous bowl by master wood turning artist, Larry Witt. Witt is a Southwest artist, who is displayed in many galleries, and is collected all around the world. Witt composes his pieces using many different species of wood. Using no dyes or stains, it is the variety of natural colorations in his wood choices that define his work.This bowl is made of oak, maple and purpleheart woods, and is comprised of 161 separate pieces of wood. It has a wonderful, sweet smell. Amazing piece of art!

each striking lithograph with classical figures at various pursuits on a black ground; later ebonized frames and slips with hand-wrapped linen mattes.

of sleek mid-century design with an elegant profile, James Mont's King Cole chair was deigned for one of his most notable commissions, the King Cole Penthouse in Miami; having a beech bentwood openwork barrel back with sloping arms all above a saddle seat and conforming apron; raised on tapering turned supports; professionally restored and structurally sound; refinished and reupholstered

each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases

the cup-shaped bowl raised on a flared foot; with a hand-painted band of floral stems and fruit with gilt highlights

each hand-carved swag with plump fruit and vegetables nestled among flower heads and foliage; good antique condition with overall minor wear

each depicting a 3-story building with accompanying floor plans; each titled 'Design for a First Class Tavern'; new mattes and frames; some discoloration.