custom sizes available in French limestone or Belgian bluestone; in three parts, the thick hand-carved rectangular top resting on lyre-form supports; 12 week lead time; new with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur
Custom sizes available; made in France from French limestone, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur
Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick round top with dupont edge and baluster-form support on an octagonal plinth. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.
the long flaring neck above a compressed lobed mid-section flanked by foliate loop handles; all over a flared base adorned with an acanthus leaf border; excellent condition with no chips.
a rare Art Deco cabinet with rectangular top with notched corners above a conforming body fitted with two hinged doors opening to reveal a divided interior; all raised on long sweeping cabriole supports ending in a splayed foot; all in a richly-colored and well-figured macassar veneer; good vintage condition; professionally refinished with small areas of replaced veneer
this incredibly stylish and practical dressing cabinet having a hinged top with interior mirror and divided compartments; above a shaped front with two bi-fold doors with interior drawers; the upper section with two small drawers; excellent restored condition; stamped 'John Widdicomb, Grand Rapids'
the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass
from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water. What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emitted beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.
the solid cabinet with rectangular top above an apron with applied bosses and star motifs over a body fitted with 2 doors adorned with bodly-scaled raised stars; raised on elegant splayed supports
the square game table with 'floating' top of radiating oak veneer; above an ebonized body fitted with two drawers with oak secondary wood; raised on tapering, stepped quadrangular supports; professionally refreshed surface; good vintage condition
each with flared ceramic neck above a gadroon-form body; raised on faux bois metal bases; excellent vintage condition with no chips or cracks; rewired
the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.
originally used as traveling tea tables for the British in India; the octagonal top with central eight-pointed star medallion within a perimeter band depicting a meandering foliate vine ; raised on a hinged base with arabesque spandrels; good antique condition with overall warm patina; small areas of replaced inlay; one spandrel with repairs and replacements
the rectangular hinged lid resting on a conforming body with brass stringing; the box adorned with raised piping of contrasting marble; excellent condition.
each robust pinecone finial with dramatically textured surface; mounted on later russet-colored painted turned wooden bases; wear and patination to surface (intended for indoor use)
each boldly-scaled urn with rolled lip above a gadrooned body all over a splayed base and square plinth; 3 urns available, 1 of lighter color; chipped and weathered surface
each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired
the large bottle-form lamp with long neck and tapering body all in a crater glaze
of asymmetrical form with a lively floral head emanating from one corner; with artist's initials 'PSM', overall oxidized surface
the elegantly long rectangular cork top with flared ends raised on pierced splayed wooden supports; excellent condition; original design from 1948
each 20-light Lumiere Sputnik style chandelier designed by Jean De Merry with nickel-plated spikes creating a dazzling sphere of light; in good condition with some tarnishing to metal
William Stanisich Watercolors and other works presented by epoca Artist Statement: Why A Signature Style? by William Stanisich. I am drawn to specific light and idiosyncratic forms whenever I encounter them. A few years ago I had a recognition scene. I had been working to capture the light and inner forms of a number of places around the world. But what could be more idiosyncratic and inexhaustible than Land's End? [..] Two distinct series of Milos paintings are included in this website. I have been to Greece six times, never trying to recover antiquity but always seeking clarity and radiance. [..] I love to paint the Night. The first two series of watercolors in this website play with ambiguous spaces and veiled or insolent color, all at Night, which is itself ecstatic and sinister.