the square upholstered seat with a low out-scrolled openwork backrest; all above an undulating apron raised on tassels; overall even wear and patina to re-gilded surface; newly upholstered 

the openwork chandelier capped with a spheroid element supporting six scrolled candlearms; all joined by a shapely outer stretcher;  adorned with crystal flower heads and leaves interspersed by over-scaled tole leaves all ending in an acorn pendant knob; professionally rewired; good vintage condition with minor wear; no missing crystals

capped with an oak leaf wreath emanating cascading iron rope twist strands joining seven scrolled candle arms surrounding a central support with a meandering oak leaf vine; overall even wear to surface; professionally rewired 

the open cartouche-shaped back with elaborately carved vasiform splat profusely carved with rocaille, C-scrolls and floral motifs above a drop-in seat with mohair upholstery; flanked by supported S-scrolled arms with lively floral carving; the seat rail with carved fretwork design; all raised on similarly carved cabriole legs ending in a trifid pad foot; finish professionally refreshed; new mohair upholstery; good antique condition with even wear and patina

the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering 

the Vizagapatam casket-form tea caddy in the Regency taste, the exterior veneered with sections of antlers, with a carved knob and bun feet; the hinged lid opens to reveal an interior fitted with a pair of tea compartments with hinged covers, the fittings decorated with penwork detailing; good antique condition; mixing bowl now lacking; working key and lock 

Each with sloping in-curved crest rail over vertical spiral-carved stiles; joining a U-shaped tight seat above a reeded apron all raised on cabriole supports joined by a carved X-form stretcher;  professionally restored with warm patina and new leather upholstery

each plaster baluster-form lamp by the Bradburn Gallery covered in a celadon painted linen with hand-painted colorful birds perched on a meandering foliate branch speckled with purple berries; height: 16" (top of plaster)  27" (top of shade); gilt embossed maker's mark to underside; good condition with minimal wear; professionally rewired 

each with cartouche-shaped back above a shaped tight seat all raised on cabriole legs; the whole adorned with rocaille and foliate carving; professionally refinished, strengthened and reupholstered. 

each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.

the well-detailed studies depicting a tented ceiling and a restaurant wall in rich layered colors; with new art nouveau style giltwood frames. (1 available)

the cartouche mirror plate within a conforming giltwood frame with floral crest above an openwork frame of acanthus and rocaille carving all flanked by the mythical Ho Ho bird with one bird upright and the other downward; the Ho Ho bird was originally seen in Asian artwork and symbolizes good fortune and longevity; overall even wear and patina to re-gilded surface; later plate

the square top with inset tiles all above intricate openwork aprons with arabesque spandrels; painted overall with stylized floral and foliate motifs in colors of scarlet, ochre and olive green; overall wear and patina with some chipping to paint 

the half-round top above a conforming apron centering a foliate reserve flanked by swag festoons and carved paterae with fluted panels; all raised on tapering quadrangular supports adorned with cascading bell-flowers all ending in a spade foot; good antique condition with professionally refinished surface

the circular tabouret with new decking above a rope-twist gilwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new leather upholstery .Seat furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne.

the large oval tray of well-figure mahogany centering a robust inlaid fan medallion with crossbanded perimeter band all within a scalloped wooden gallery flanked by solid brass handles; green felt to underside; good antique condition with normal wear and patina

the domed lid with finial knob resting on a bulbous body tapering to the base with a flared foot; painted overall with blue and rouge-de-fer floral clusters within diaper perimeter bands; The historic production of Faenza majolica is recognized worldwide as one of the highest moments of artistic creativity expressed through pottery.

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced

vintage Curtis Jeré metal wall sculpture depicting the iconic Conservatory of Flowers in San Francisco; large scale dimensional wall sculpture composed of detailed brass and wire-work with benches, lamposts and urns on pedestals; signed on upper left eave of roof 'C. Jeré'; good vintage condition; oxidation in areas and overall patina; some tarnish to the brass

 A tall and striking American 1960s handblown apple-green decanter by Joel Myers for Blenko Glassworks; the bulbous shaped body with long neck of heavy handblown glass fitted with a 
an iconic airtwist Sommerso style stopper; with fire pontil mark to underside; good vintage condition with no chips or cracks
see similar example: https://attic.city/item/MJx2/blenko-6716-decanter-by-joel-myers-in-teal-...

each with ebonized and carved reeded frame having arching backs above continuous arms raised on tapering legs; good restored condition with new upholstery; professionally refinished 

the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing. 

from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento