As one person described Arthur Court's San Francisco shop, "it's a world of wonders - elegant and exotic". A new and innovative aluminum casting process led Arthur and Arthur Court Designs into a new era. His unique aluminum furniture and accessories featured cast antler chandeliers, chairs, tables and bookcases. 
Department stores across the United States brought his aluminum creations to loyal followers and collectors; reupholstered in brown cowhide. 
 

vintage Curtis Jeré metal wall sculpture depicting the iconic Conservatory of Flowers in San Francisco; large scale dimensional wall sculpture composed of detailed brass and wire-work with benches, lamposts and urns on pedestals; signed on upper left eave of roof 'C. Jeré'; good vintage condition; oxidation in areas and overall patina; some tarnish to the brass

of good scale and iconic art deco design, each with scrolled crest with sloping arms ending in inwardly scrolling terminals; flanking an upholstered loose cushion seat above a carved apron; raised on turned tapering and fluted supports; good antique condition and structurally sound; professionally refinished and reupholstered 

this large ever-so chic fixture composed of 12-arms with 2 lights per arm often attributed to Tommi Parzinger and manufactured by Lightolier; uses chandelier bulbs with a 60 watt maximum; canopy with Lightolier label; excellent vintage condition

each heavy candle holder surmounted by a shallow candlecup with flared lip raised on a gadrooned support above a ring of stylized leaves; all over a cylindrical base adorned with applied bosses flanked by opposing birds all ending in a splayed foot; good vintage condition with overall even wear and patina 

each lamp of columnar form with long cylindrical neck over a stepped base all resting on a brass foot; 18.5" (top of glass) 30.5" (top of shade); professionally rewired; slight variation in color; minor wear and some lifting of paint to underside of glass; some rubbing to gilding; no chips or cracks

this explosive brutalist iron nail sculpture contrasting the cold black steel iron nails and the warm buffed-brass brazing combing artistic design, geometric form and the high quality of the braze; excellent vintage condition with no visible condition issues, signed by the artist

each with incurved back sloping to join a tight seat flanked by bowed arms ending in swan neck terminals; raised on cabriole legs; adorned overall with giltwood acanthus leaves, bellflowers and scrollwork; professionally restored with refreshed paint and gilding; overall even wear and patina; newly upholstered

the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired

fitted with an octagonal flared brass cap above a conforming burlwood body resting on a brass base; good vintage condition with overall even wear and patina; rewired

of large scale, with long everted neck above a spheroid body all resting on a custom giltwood base; good vintage condition with some wear to surface; rewired

of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired

an early 1950s production Florence Knoll for Knoll International lounge chair with loose back and seat cushions all resting on four turned tapering legs; professionally refinished with new butter-yellow linen upholstery; excellent vintage condition with sturdy hardwood frame

the square clear glass plate resting on a nickel plated base consisting of 4 upturned supports over 4 downturned legs; minor patination to metal.

the rectangular mirror within an undulating gilt frame giving the appearance of small folds; can also be hung horizontally; even wear to re-gilded surface; minor age to plate

the handsome chest constructed during the Golden Age of Danish furniture (1800-1850) and composed of well-figured mahogany veneer fitted with three drawers inlaid with neoclassical decoration all over a scalloped apron and raised on tapering quadrangular supports; good antique condition with minor veneer repairs and overall even wear and patina

the central supports of graduated stack glass orbs all emanating 6 deeply scrolled candle arms with glass drips pans and chrome candle sleeves; excellent vintage condition; rewired

fitted with four amboyna matchbook-veneered doors opening to reveal 3 sycamore-veneered drawers; all above a scalloped apron raised on splayed legs with brass caps; excellent condition; with original retail label 'Mauri Muebles, Buenos Aires'

the baluster-form lamp of translucent frosted glass raised on a giltwood base

Each with sloping in-curved crest rail over vertical spiral-carved stiles; joining a U-shaped tight seat above a reeded apron all raised on cabriole supports joined by a carved X-form stretcher;  professionally restored with warm patina and new leather upholstery

each of elegant shape with cartouche-shaped back above a serpentine seat flanked by scrolled arms; all raised on cabriole supports; with custom down-filled cushions; good sturdy condition with overall minor wear and rich patina; refreshed surface; caning intact 

each of rectangular form with raised offset concentric rings or 'ripples' all in a deep blue on black glaze; excellent vintage condition with no chips or cracks; STEULER was founded in Höhr-Grenzhausen, a center of the ceramic industry in the Rhineland's Kannenbäckerland, in 1917.  STEULER reached its artistic zenith in the 1960s and '70s and is best known today for the inspiring designs of Cari Zalloni. Here's a fine specimen from Cari Zalloni's shapely and colorful 'Zyklon' line of 1968 for STEULER KERAMIK.

excellent condition; rewired

the hand-blown lamp of translucent pale blue glass with long neck above a bulbous body all raised on brass bases; excellent vintage condition with minor wear; no chips or cracks; some pitting to brass; professionally rewired