each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $3,800 each

The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame

a delightful bronze sculpture of a well-delineated sparrow perched upon a bamboo branch surrounded by cattails and reeds all emanating from a foliate ring; the whole resting on a well-figured circular black marble base; etched signature 'Lake Geneva Studio';  Lake Geneva Studio was a well-known bronze sculpture studio founded by sculptor Siri Schillios in Lake Geneva, Wisconsin. The studio operated from the early 1970s until the early 2000s; good vintage condition with overall warm patina

surmounted by a rocaille openwork crest above an oval frame adorned with foliate carving with exaggerated c-scrolls at the sides with a foliate pendant at the base; with later antique beveled plate; some re-glued elements; overall even wear to refreshed gilded surface

unusually large with a scavo (acid) finish in a golden hue; acid etched signature to underside with original label

each half-round moulding with floral and foliate carved reserves surrounding a beaded inner slip; with later antiqued plates; rubbing to gilding.

each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear

of Georgian style in the French taste, the serpentine top with matchbook herringbone veneer within a cross-banded border; all above a Bombé-form body fitted with two doors opening to reveal three mahogany serpentine drawers; flanked by carved foliate festoons cascading to an acanthus leaf carved foot; all sides with tulipwood and amaranth classically-inspired inlay of lively acanthus scrolls, floral vines, ribbons and urns; good antique condition with minor veneer replacements; good solid construction; professionally refinished

of impressive scale with stately presence, the Baroque Flemish Style cushion frame finely painted to replicate the rich, amber-like tones and distinctive radiating patterns of genuine tortoiseshell; the double-recessed frame with outer cushion molding all separated by bands of ebonized moldings; all surrounding a beveled mirror plate; excellent condition with only minimal wear 

with lively interlacing foliate crest above a rectangular-form frame adorned with rocaille carving at the shoulder above meandering foliate vines; good antique condition with overall even rubbing to gilding; age to original mirror plate

well-carved giltwood wall mirror with a pagoda-form pediment above an open-work carved foliate frame; excellent antique condition with overall even rubbing to water-gilded surface; later mirror plate

each shapely cache pot of overall oval-form flanked by lion-head ring handles; all raised on four shell-form supports with splayed feet; good vintage condition with overall even wear and patina; tarnishing and scuffs 

of stylized form standing erect with direct gaze above a large down-turned bill; minor wear; no chips or cracks.

the round top above a plain frieze apron fitted with a single drawer; raised on a tripod base of elegantly splayed and tapering supports with a waisted neck; good vintage condition with overall even wear and patina; minor repairs and re-gluing to veneer

An unusual pair of hand-blown clear and gold aventurine Venetian candlesticks with large-scale dolphin connectors made by Salviati, circa 1920's featuring dramatic full-bodied upward-facing dolphins; raised on a splayed quilted foot with removable quilted bobeche; excellent condition with no chips or cracks;

the exuberantly carved pagoda crest surrounded by lively acanthus leaves, c-scrolls and grotto motifs cascading down to an openwork frame; wear and rubbing to gilding; with professional repairs; refreshed gilding; some age to later plate

MADELEINE LIEPE (Oregon/Switzerland, 1929-2017) Signed lower right and dated 1970, signed again and titled verso; the serene charcoal drawing of lush trees surrounding a pond with a gently rolling lawn in the foreground; good clean condition with only minor discoloration; new acid-free matting with gilt fillet and ebonized wooden frame;  Madeleine Liepe was a Postwar and Contemporary artist who spent her professional career in Oregon.

each lamp by Swank Lighting in a magical textured chartreuse-colored glass with a frost-like translucent finish creating a blurry surface allowing scattered light to pass through; each with foil 'Swank Lighting' label; raised on giltwood bases;  good vintage condition with minor rubbing to gilding; professionally rewired; no chips or cracks

having curved front with five inlaid doors, all raised on turned and flared feet with brass terminals; the center door opens to reveal sycamore-veneered drawers; the right door opens to reveal a mirrored and glass bar compartment;  excellent condition
 

a custom pair of flame mahogany Guéridon Tulipe side tables in the manner of Pierre Chareau (b. Bordeaux, France 1883 d. New York 1950) and fabriacted by Gatti Furniture, San Francisco; each hexagonal top of bookmatch veneer flame mahogany raised on a tulip-form slatted support; all over a conforming stepped base; each signed 'Gatti Furniture San Francisco 2000'; diameter: 23.25" (26.5" point to point); good condition and structurally sound; professionally refinished 

each tall vase with long flaring neck above a bulbous body; the white vase encased in a yellow cased glass; excellent condition with no chips or cracks.

each with chrome back plate fitted with three glass "ice block" shaped elements of radiating form; the two outer elements are removable; professionally rewired; excellent condition with no chips or cracks; some patina to chrome