each artist-signed lamp of baluster form with waisted neck above an ovoid body all over a splayed foot; resting on a turned gold-painted wooden base; each adorned with well-executed hand-painted exotic birds resting on a meandering floral and foliate branch; height: 18.5" (top of porcelain) 30.5" (top of shade); marked 'Made in Italy' to underside; good condition with no chips or cracks; professionally rewired; minor wear to wooden bases
of iconic art deco design; the round top of deeply patinated and well-figured quarter veneered macassar ebony raised on incurved supports joined by a lower shelf; all over a tripod base with block feet; good antique condition and structurally sound; professionally refinished with small areas of replaced veneer
the thick and robust beechwood frame with silver-gilt accents surrounding the original antiqued mirror plate; excellent antique condition with well-patinated mirror plate
of ribbed baluster form with splayed scalloped foot resting on a giltwood base; excellent condition; rewired
the lushly painted still life depicting a woven basket full of finely painted bearded irises, parrot tulips, hydrangeas and peonies with discreetly painted bees and a snail; all resting on a draped table; good antique condition; signed lower left: M. Luber München; height: 36" (overall) 26.75" (canvas), width: 28" (overall) 18.5" (canvas); Max Luber (1879-1950) was a German academic painter who studied and worked in Munich. His paintings primarily depict lush, dark still lifes in the Flemish style.
Peter Hamlett (American 1919-1972) signed Oil on Board, dated 1966 verso; the lush impressionist style still life painting with thick broad brushstrokes depicting a tablescape setting with a copper pot, various vegetables and a bottle of wine; signed lower left and verso and titled 'Staff of Life' Laguna Beach 1966; Born in 1919 in Mokanshan, China during a time of political unrest, Peter Hamlett, a seascape painter, left China at age 18 when he graduated from Shanghai American School.
each of graceful form with long cylindrical neck above a bulbous body; the whole adorned with applied striated decoration in a graduated color pattern from white to aqua; resting on brass canted bases; height: 17.25" (top of glass) 28.25" (top of shade); good vintage condition with no chips or cracks; some imperfections in glass inherent in the glass blowing process; some pitting to brass; professionally rewired
each custom made chair by Lx Rossi with in-curved sloping back cascading down to outscrolled terminals; flanked by a bowed loose cushion over a plain frieze apron all resting on tapering turned supports; the frame veneered in a taupe-colored shagreen; excellent condition; newly upholstered
the frosted and ribbed bullicante (controlled bubble) ovoid shade emanating alternating clear glass foliate fronds; good vintage condition with no chips or cracks; professionally rewired; fitted with three lights
each painted with joyous spontaneity successfully mixing the dreamlike and the realistic featuring three beach scenes with dramatic skies and figures scurrying around beached boats; signed 'Ritter' lower left; excellent condition; professionally framed; Laszlo Ritter was a self taught impressionist painter. The Hungarian uprising in 1956 precipitated Ritter's bid for freedom and safety in England at age seventeen. Ritter spent his early years studying the Masters and learning their techniques.
each column of alternating marble and brass discs; raised on 4 Greek key feet; rewired; excellent condition; some rubbing to metal.
the openwork chandelier capped with a spheroid element supporting six scrolled candlearms; all joined by a shapely outer stretcher; adorned with crystal flower heads and leaves interspersed by over-scaled tole leaves all ending in an acorn pendant knob; professionally rewired; good vintage condition with minor wear; no missing crystals
each of chic Italian design with arbalète crest rail above an openwork splat joining an upholstered seat; raised on gracefully splayed supports; professionally refinished; minor wear to surface; reupholstered
with domed top and flared neck above a bulbous body over a splayed base; adorned overall with graceful gilt foliage; rewired; excellent condition with no chips or cracks; lamp shade as is.
the large crystal sphere resting on a classically-inspired bronze tripod stand adorned with rams head masks joined by swag festoons all ending in paw feet; all over a shaped stepped base; probably a marriage of the orb and base; overall patina and rubbing; glass orb is free of chips and cracks
the inset leather top within a a stepped molded frame above an apron fitted with 5 drawers with oak secondary wood; the side panels centering carved floral clusters; the finished paneled back allows the desk to be floated; all raised on reeded bulbous supports ending in wooden casters; good restored condition with refinished surface; leather with nice rich patina
the bulbous oil spot vase of translucent apricot color; minor wear to underside.
the long flaring neck above a compressed lobed mid-section flanked by foliate loop handles; all over a flared base adorned with an acanthus leaf border; excellent condition with no chips.
Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface
this classic designed Murano glass chandelier with inverted balsuster-form central support with flared canopy all above a glass bowl emanating five tall rosette and foliate stems interspersed with five low down-scrolled leaves; fitted with five deeply scrolled candle arms supporting scalloped bobeches with foliate edging; good vintage condition; one tall leaf re-glued; one replaced lower leaf; professionally cleaned and rewired
the beveled rectangular plate surrounded by a giltwood frame with half-turnings and carved rosette corners; wear to later gilding; age to plate.
Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition.
each 20-light Lumiere Sputnik style chandelier designed by Jean De Merry with nickel-plated spikes creating a dazzling sphere of light; in good condition with some tarnishing to metal
this Impressive 18th Century French Régence Ormolu-mounted rosewood-veneered commode signed 'JB Hedouin' Master Cabinetmaker, Paris; featuring a bombé-form body fitted with four drawers of herringbone parquetry inlay with oak secondary structure; retaining its original ormolu and hardware all of grand scale and typical of the rocaille period; the original 1938 Catalog Label on reverse; professionally restored with some veneer replacements; French polished and bronze lightly cleaned; good antique condition; later marble top.
