each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $3,800 each
Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.
each depicting a 3-story building with accompanying floor plans; each titled 'Design for a First Class Tavern'; new mattes and frames; some discoloration.
A tall and striking American 1960s handblown apple-green decanter by Joel Myers for Blenko Glassworks; the bulbous shaped body with long neck of heavy handblown glass fitted with a an iconic airtwist Sommerso style stopper; with fire pontil mark to underside; good vintage condition with no chips or cracks see similar example: https://attic.city/item/MJx2/blenko-6716-decanter-by-joel-myers-in-teal-...
with deep brown lacquered finish, the tall graduated caned back above a loose cushion flanked by down-swept arms all over splayed legs; The Grand Ledge Chair Company was founded in 1837 in Grand Ledge, Michigan, as a small furniture shop by Thomas Garrett, Harry Jordan, and Edward Crawford. It remained a family run business until 1973, when the business was sold and eventually closed in 1981; professionally refinished with newly upholstered seat
in the neoclassical taste, the rectangular top with turret rear and front corners over a conforming body with 3 paneled long drawers flanked by fluted turrets; all raised on turned tapering supports ending in toupie feet; fitted with neoclassical-inspired brasses; professionally refinished with some replaced and re-glued veneer to top; overall even wear and patina
each with chrome back plate fitted with three glass "ice block" shaped elements of radiating form; the two outer elements are removable; professionally rewired; excellent condition with no chips or cracks; some patina to chrome
the oval central plate surrounded by a scalloped reverse-etched mirrored border adorned with twisted glass rods and C-scrolls all attached with glass rosettes and leaves; good vintage condition with only minor wear; one C-scroll with inconspicuous re-glued crack
each bookend capped with a head of a spartan soldier with helmet showing the crest, dome and faceplate; all resting on a square plinth; some surface abrasions and chipping
A large-scaled and elegantly designed French 1940s Klismos chair with deep incurved back with scrolled terminals; above a leather seat of criss-crossing straps all raised on dramatic splayed supports; purchased in Paris in 1993 (receipt attached); good vintage condition with sturdy frame and seat; some wear to painted surface; later leather strapwork
signed 1960s bench with floating rectangular upholstered seat resting on a walnut base with square-form tapering legs connected by two stretchers; makers label to inner stretcher; Jens Risom (1916-2016) was a Danish American furniture designer. An exemplar of Mid-Century modern design, Rison was one of the first designers to introduce Scandinavian design in the United States. His designs are on display at the Museum of Modern Art, the Rhode Island School of Design and the Cooper-Hewitt Design Museum; professionally refinished and reupholstered
the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top
a delightful bronze sculpture of a well-delineated sparrow perched upon a bamboo branch surrounded by cattails and reeds all emanating from a foliate ring; the whole resting on a well-figured circular black marble base; etched signature 'Lake Geneva Studio'; Lake Geneva Studio was a well-known bronze sculpture studio founded by sculptor Siri Schillios in Lake Geneva, Wisconsin. The studio operated from the early 1970s until the early 2000s; good vintage condition with overall warm patina
consisting of four graduated rectangular tables raised on double-baluster supports over scrolled feet; each table top decorated with fine gilt decoration featuring a five-clawed imperial dragon, bamboo plants, flower bouquets and various insects; Provenance: Property from the estate of Patricia Moffat Pope, San Francisco, CA; good antique condition; wear consistent with age and use; minor losses and rubbing to surface
the long neck with bulbous mid-section of carved foliate motifs; raised on a tripartite base on 3 scrolled feet; restored condition.
the openwork chandelier capped with a spheroid element supporting six scrolled candlearms; all joined by a shapely outer stretcher; adorned with crystal flower heads and leaves interspersed by over-scaled tole leaves all ending in an acorn pendant knob; professionally rewired; good vintage condition with minor wear; no missing crystals
of impressive scale with stately presence, the Baroque Flemish Style cushion frame finely painted to replicate the rich, amber-like tones and distinctive radiating patterns of genuine tortoiseshell; the double-recessed frame with outer cushion molding all separated by bands of ebonized moldings; all surrounding a beveled mirror plate; excellent condition with only minimal wear
this extremely comfortable and stylish mid-century sofa with beechwood frame with splayed openwork ends and raised on tapering supports; fabric in good condition with minimal wear and minor fading; excellent vintage condition with wear and patina to wood
attributed to Warren Kessler Lamps, New York est. 1939; each hand-blown columnar lamp of baluster-form with reeded shaft above a bulbous mid-section over a cylindrical pedestal and splayed foot; all resting on a gold painted metal base; each in a soft butterscotch cased glass; height: 18.5" (top of glass); good condition with no chips or cracks; professionally rewired
attributed to Warren Kessler Lamps, New York est. 1939; each hand-blown columnar lamp of baluster-form with reeded shaft above a bulbous mid-section over a cylindrical pedestal and splayed foot; all resting on a gold painted metal base; each in a soft butterscotch cased-glass; height: 18.5" (top of glass); good condition with no chips or cracks; professionally rewired
each portly lamp with everted neck above a compressed lobed body all over a splayed circular base; with ivory glazed surface and matching wooden caps; good antique condition with some chipping and patina to surface; professionally rewired
each large vase modeled in the long ovoid form; the body painted in polychrome enamel depicting bold and colorful flowers, trees and butterflies under a geometric band at the shoulder; mounted as lamps with bronze openwork collar and base with lappet perimeter band; professionally rewired; nice patina to bronze; good antique condition with no chips or cracks
View Photos: Change is good but thank goodness the lamb chops remained! This year’s San Francisco Fall Art and Antiques Show was all about change and for the better. The improved floor plan created secret passageways and sneak peaks for the exhibition goer. Attendees meandered through brightly-colored Farrow and Ball painted booths. The well-attended show had a fresh new look with vibrant contemporary art galleries mixed among the traditional and 20th century furniture dealers. Bravo SFFAAS 2016!