the central cluster column support emanating 6 scrolled arms supporting upright torches; adorned overall with brass strapwork and spheres; overall even patination

the rectangular hinged lid fitted with a flush-mounted handle over a conforming body flanked by solid brass bail handles; all resting on a later detached stand; adorned overall with brass perimeter strapping and decorative brass inlay; good antique condition commensurate with age; overall wear and patina; brass strapping with indentations and wear; professionally refinished; new custom-made stand

each of rectangular form with raised offset concentric rings or 'ripples' all in a deep blue on black glaze; excellent vintage condition with no chips or cracks; STEULER was founded in Höhr-Grenzhausen, a center of the ceramic industry in the Rhineland's Kannenbäckerland, in 1917.  STEULER reached its artistic zenith in the 1960s and '70s and is best known today for the inspiring designs of Cari Zalloni. Here's a fine specimen from Cari Zalloni's shapely and colorful 'Zyklon' line of 1968 for STEULER KERAMIK.

each cube-form chair with 'floating' backrest above a tubular chromed steel base; newly upholstered in a butter-yellow velvet with foam wrapped down cushion and seat; minor wear to chrome; Milo Baughman (American, 1923–2003) was a furniture designer who was born in Goodland, KS. After studying at the Art Center School of Los Angeles and the Chouinard Art Institute, he joined Frank Brothers as a custom furniture designer. In 1947, Baughman established Milo Baughman Design, Inc.

each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface

each urn decorated with white, lavender and gray arabesque and Moorish motifs all on a celadon ground; adorned with finely chased gilt-bronze mounts; fitted with its original oil lamp fittings and marked 'Gebrüder Brünner, Wien'; height: 14" (top of porcelain); good antique condition with no chips or cracks; some rubbing to gilding on porcelain and bronze mounts; professionally rewired 

the shaped faux marble top above a bombe-form case fitted with 2 drawers over 2 doors all raised on cabriole legs; the whole painted with foliate vines and floral garlands on a muted butter-yellow ground; refreshed surface with overall even wear

the well-carved Corinthian capital with faux marble top adorned overall with outscrolled acanthus leaves below scrolling volutes; all raised on a later square wooden plinth; remnants of label from Tony Duquette Collections sale, Christie's Auction House, Los Angeles, 2001, image can be seen in the book "Tony Duquette" by Wendy Goodman and Hutton Wilkinson, pg. 216; good solid condition with overall wear and patina; some shrinkage

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

each columnar lamp of Carrara marble with Tuscan style capital above a cylindrical standard resting on a cylindrical base all over a square base; height: 16.25" (top of marble) 27.25" (top of shade); good vintage condition with even wear and patina to surface; some abrasions with two polished chips; professionally rewired   

each with thick napoleon machete marble top above a bowed cabinet fitted with 3 drawers with brass stringing flanked by brass inlaid fluted stiles and sides all over a scalloped apron; new tops; excellent restored condition.

the half-round glass top with ogee edge resting on a conforming brass plated openwork frame raised on four columnar supports ending in foliate scrolled feet all joined by a lower stretcher; good vintage condition with no chips or cracks to top; antiqued brass finish with nice patina

Gunnar Donald Anderson (1927-2022) was active/lived in California, New York and is known for his child portraits and advertising art. After two years of study at the California School of Fine Arts in San Francisco, he attended Los Angeles Art Center School and in 1951 earned his Bachelor of Fine Arts Degree. From 1951 to 1955, he worked for as an art director for two New York City based advertising agencies, before moving to San Francisco in 1955. His works are held in numerous collections nationwide and has received multiple awards.

the short flared neck above an elongated body tapering at the base; adorned overall with raised thistle branches in white glass on a coral ground; excellent condition; no chips or cracks; minor wear to underside, circa 1960's

each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases

each artist-signed lamp of baluster form with waisted neck above an ovoid body all over a splayed foot; resting on a turned gold-painted wooden base; each adorned with well-executed hand-painted exotic birds resting on a meandering floral and foliate branch; height: 18.5" (top of porcelain) 30.5" (top of shade); marked 'Made in Italy' to underside; good condition with no chips or cracks; professionally rewired; minor wear to wooden bases

each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.

of stylized form standing erect with direct gaze above a large down-turned bill; minor wear; no chips or cracks.

the square clear glass plate resting on a nickel plated base consisting of 4 upturned supports over 4 downturned legs; minor patination to metal.

the large ovoid vase tapering to the base; the textured finish in black and white glaze with vibrant red streaking around the body; minor wear.

with pinched spout above a portly body with squared handle; all in a controlled dolomit glaze over brown in a striped pattern; signed 'Ceramano Hand Albeit' to underside; excellent vintage condition with minor surface rubbing.

a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks

each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired