Custom sizes available; made in France from French limestone, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur
Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick round top with dupont edge and baluster-form support on an octagonal plinth. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.
the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced
a stylish French 1940s brass rectangular coffee table with inset black glass top; with black glass top inset within a brass frame raised on reeded supports with stylized melon-form caps all joined by a lower x-form stretcher; later glass; good vintage condition with overall even wear and patina
each well-rendered expressive fish with gaping mouth above a reticulated body with upturned tail; each having a rich turquoise tonal glaze and drainage hole; one with mottled glazed finish; overall even wear with fine craquelure to surface; good vintage condition with no breaks; some firing imperfections
the rolled bark edge and arching handle above an everted oblong body of simulated grained wood resting on a splayed base; weathered and chipped surface.
each with square top above a square pedestal with inset reserves; chipping and overall weathered patina
the long flaring neck above a compressed lobed mid-section flanked by foliate loop handles; all over a flared base adorned with an acanthus leaf border; excellent condition with no chips.
BIOGRAPHY
Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings.
STATEMENT
each of good proportion the ribbon crest above an oval caned back over a serpentine caned seat flanked by open arms; all raised on turned fluted supports ending in toupie feet; good restored condition with professionally restored finish with newly upholstered loose cushions; cane in overall good condition; caned seats replaced
each with circular wall mount emanating 3 scrolling iron candle arms ending in pierced candle-cups adorned with crystal flowers, all below upright tendrils; adorned overall with crystal pendants and beads; excellent restored condition; rewired; patination to gilding (3 pairs available)
A pair of Royal Crown Derby vases ca. 1893 having relief gilt floral and fruit motif encircling the bodies with Art Nouveau pattern at the flared necks, all on a pink ground; each having an iron red overglaze Derby Crown mark with interlacing D's above cypher indicating year 1893; gentle wear commensurate with age including slight wear to gilding; one minuscule fleabite at lower edge of one vase; slight crazing along bottom edge of one vase.
of good scale and proportions, each with scrolled crest with sloping arms ending in inwardly scrolling terminals; flanking an upholstered loose cushion seat above a carved apron; raised on turned tapering and fluted supports; good antique condition and structurally sound; professionally refinished and reupholstered
each depicting a 3-story building with accompanying floor plans; each titled 'Design for a First Class Tavern'; new mattes and frames; some discoloration.
each with ruffled lip above an ovoid body over a splayed base; painted overall with brightly colored floral decoration; some wear to surface
each striking lithograph with classical figures at various pursuits on a black ground; later ebonized frames and slips with hand-wrapped linen mattes.
