each of simple cylindrical form covered in a mottled celadon green glaze; with custom giltwood bases and gilt-metal caps; 17.5" (top of vase)  28.5" (top of shade); good vintage condition with minor wear; the vases now drilled and mounted as lamps; rubbing and patina to gilding

each plaster baluster-form lamp by the Bradburn Gallery covered in a celadon painted linen with hand-painted colorful birds perched on a meandering foliate branch speckled with purple berries; height: 16" (top of plaster)  27" (top of shade); gilt embossed maker's mark to underside; good condition with minimal wear; professionally rewired 

each cube-form chair with 'floating' backrest above a tubular chromed steel base; newly upholstered in a butter-yellow velvet with foam wrapped down cushion and seat; minor wear to chrome; Milo Baughman (American, 1923–2003) was a furniture designer who was born in Goodland, KS. After studying at the Art Center School of Los Angeles and the Chouinard Art Institute, he joined Frank Brothers as a custom furniture designer. In 1947, Baughman established Milo Baughman Design, Inc.

the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired

the bulbous oil spot vase of translucent apricot color; minor wear to underside.

each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.

the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired

the tall ribbed lamp of sea-foam green art glass with controlled bubbles; excellent condition with no chips or cracks; rewired

an exceptionally rare size, this Murano glass lamp using the Sommerso technique of layered colored glass; excellent vintage condition with no chips or cracks; rewired

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

each of columnar form resting on a square base; originally fitted with a kerosene receptacle; excellent condition; external French wiring 

each with everted lip above a columnar support over a lobed mid-section; raised on a tripartite base with 3 scrolled feet; wear to paint; small replacements.

fitted with an octagonal flared brass cap above a conforming burlwood body resting on a brass base; good vintage condition with overall even wear and patina; rewired

each with flared ceramic neck above a gadroon-form body; raised on faux bois metal bases; excellent vintage condition with no chips or cracks; rewired 

each composed of a metal frame with wooden top and side panels; fitted with 2 metal faux-bamboo doors with antiqued mirrored panels; excellent restored condition with replaced tops

each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.

of exceptional quality, each double-gourd form lamp with hand-painted butterflies and raised polychrome floral and foliate vines all on a white glazed ground; height: 18" (top of porcelain  30" (top of shade); professionally rewired and restored with minor replacements to flower heads and vines

the well-crafted lamp of quilted glass with gold inclusions; excellent condition with no chips or cracks; rewired

the frosted and ribbed bullicante (controlled bubble) ovoid shade emanating alternating clear glass foliate fronds; good vintage condition with no chips or cracks; professionally rewired; fitted with three lights

each with shaped lid over a cylindrical body all in alternating clear and frosted glass with hand-painted foliate perimeter bands with gilt highlights; overall even wear with rubbing to gilded surface; no chips or cracks; foliate bands of different hues

this large and elegant lamp with flared neck above a tapering body highlighted with gilt perimeter bands; resting on a reticulated brass base; excellent vintage condition with minor overall even wear; rewired

each with spheroid body flanked by shell-form handles; raised on a lively dolphin support over a square base ending in shell feet; rewired and replated with new shades; excellent condition; shades as is

each with incurved back sloping to join a tight seat flanked by bowed arms ending in swan neck terminals; raised on cabriole legs; adorned overall with giltwood acanthus leaves, bellflowers and scrollwork; professionally restored with refreshed paint and gilding; overall even wear and patina; newly upholstered

each of whimsical butterfly form and labeled 'farfalla' having chromed steel frames encircled by six lights and issuing curved arms ending in circular discs; good vintage condition; professionally cleaned and rewired

each with short everted neck above a baluster-form body all ending in a splayed foot; with ebonized metal cap and wooden bases; all in a rich orange lustre glaze; undersides impressed RUSKIN / ENGLAND 1919; Ruskin Pottery was an English art pottery studio founded in 1898, and closing in 1935.